{"id":5296,"date":"2026-09-09T15:42:59","date_gmt":"2026-09-09T13:42:59","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=5296"},"modified":"2026-09-09T15:43:01","modified_gmt":"2026-09-09T13:43:01","slug":"mon-gateau-prefere-vendredi-20-novembre-20h30-seance-gratuite","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2026\/09\/09\/mon-gateau-prefere-vendredi-20-novembre-20h30-seance-gratuite\/","title":{"rendered":"\u00ab\u00a0Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9\u00a0\u00bb vendredi 20 novembre 20h30 s\u00e9ance gratuite"},"content":{"rendered":"\n

Maryam Moghadam<\/a>, Behtash Sanaeeha<\/a> (2025) Iran 1h36 Avec: Lili Farhadpour<\/a>, Esmaeel Mehrabi<\/a>,<\/strong><\/p>\n\n\n\n

Mahin a 70 ans et vit seule \u00e0 T\u00e9h\u00e9ran. Bravant tous les interdits, elle d\u00e9cide de r\u00e9veiller sa vie amoureuse et provoque une rencontre avec un chauffeur de taxi……<\/strong><\/p>\n\n\n\n

Un film insolent, \u00e9mouvant, malicieux et politique<\/strong><\/p>\n\n\n\n

\"\"
\u00a9Arizona<\/figcaption><\/figure>\n\n\n\n

Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9 est un film qui franchit les fronti\u00e8res conventionnelles du cin\u00e9ma iranien. Un film qui, en ignorant certaines r\u00e8gles et interdits, construit son propre univers.<\/strong><\/p>\n\n\n\n

Dans les villes iraniennes, ce qui frappe au premier regard, ce sont les murs. Des murs \u00e9lev\u00e9s, parfois surmont\u00e9s de grilles ajout\u00e9es ult\u00e9rieurement pour encore les rehausser. Mais ces murs ne servent pas seulement \u00e0 prot\u00e9ger la maison ; ils forment aussi une barri\u00e8re pour les aspects les plus intimes de la vie, cachant ce qui ne doit pas \u00eatre vu. Pour les femmes, la maison peut \u00eatre \u00e0 la fois une prison et la seule \u00e9chappatoire possible. Parfois, ces murs deviennent des cages o\u00f9 les femmes sont rel\u00e9gu\u00e9es \u00e0 la marge, invisibles, r\u00e9duites au silence entre quatre murs. Et pourtant, c\u2019est l\u00e0 tout le paradoxe de la maison en Iran : ces m\u00eames murs qui limitent les femmes sont aussi leur dernier refuge, leur dernier espace de libert\u00e9. L\u00e0 o\u00f9 elles peuvent enfin retirer leur foulard, accrocher leur manteau, respirer et \u00eatre elles-m\u00eames.<\/strong><\/p>\n\n\n\n

Cette r\u00e9alit\u00e9, selon laquelle la maison joue un r\u00f4le crucial dans la d\u00e9finition des libert\u00e9s des femmes en Iran, peut sembler \u00e9trange \u00e0 un public non familier de la soci\u00e9t\u00e9 iranienne. Mais dans le contexte culturel iranien, la distinction entre l\u2019andarouni (l\u2019espace int\u00e9rieur, priv\u00e9) et le birouni (l\u2019espace ext\u00e9rieur, social) est une notion fondamentale de l\u2019architecture et des relations sociales. L\u2019andarouni est l\u2019espace intime du foyer, l\u00e0 o\u00f9 la vie priv\u00e9e se d\u00e9roule, tandis que le birouni est r\u00e9serv\u00e9 aux interactions avec le monde ext\u00e9rieur. Pour les femmes, cette dualit\u00e9 signifie la diff\u00e9rence entre ce qui est possible \u00e0 l\u2019int\u00e9rieur de la maison et ce qui est interdit \u00e0 l\u2019ext\u00e9rieur. <\/strong>Maryam Mirzanejad<\/p>\n\n\n\n

\u00c0 l\u2019annonce de la s\u00e9lection de MON G\u00c2TEAU PR\u00c9F\u00c9R\u00c9 en comp\u00e9tition de la Berlinale 2024, les autorit\u00e9s iraniennes ont confisqu\u00e9 leurs passeports aux r\u00e9alisateurs Maryam Moghaddam et Behtash Sanaeeha.<\/strong><\/p>\n\n\n\n

L’interview du producteur<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00c0 la t\u00eate de Caract\u00e8res Productions, \u00c9tienne de Ricaud <\/strong>accompagne pour la deuxi\u00e8me fois le couple de cin\u00e9astes iraniens Maryam Moghadam et Behtash Sanaeeha<\/strong>, aujourd\u2019hui assign\u00e9s \u00e0 r\u00e9sidence.<\/strong><\/p>\n\n\n\n

Quand rencontrez-vous pour la premi\u00e8re fois Maryam Moghadam et Behtash Sanaeeha ?<\/strong><\/p>\n\n\n\n

Il y a une dizaine d\u2019ann\u00e9es, \u00e0 T\u00e9h\u00e9ran, j’ai produit , Le Pardon leur premier long m\u00e9trage <\/strong>. Sorti en salles en 2021, le film racontait l\u2019histoire d\u2019une erreur judiciaire et d\u2019une femme dont la vie est tragiquement boulevers\u00e9e quand son mari est condamn\u00e9 \u00e0 mort et qu\u2019elle se retrouve seule avec leur fille \u00e0 \u00e9lever. Une \u0153uvre d\u00e9j\u00e0 engag\u00e9e<\/strong>, <\/p>\n\n\n\n

Cet hymne \u00e0 l\u2019\u00e9mancipation f\u00e9minine leur a cependant valu d\u2019\u00eatre assign\u00e9s en justice en Iran. Avaient-ils d\u00e9j\u00e0 connu des difficult\u00e9s au moment du tournage ?<\/strong><\/p>\n\n\n

\n
\"\"
\u00a9Arizona<\/figcaption><\/figure>\n<\/div>\n\n\n

Il n\u2019y avait pas eu de gros probl\u00e8mes sur le tournage. Tout a vraiment d\u00e9marr\u00e9 apr\u00e8s la pr\u00e9sentation du film \u00e0 Berlin. Ce qui a vraiment d\u00e9rang\u00e9 dans Le Pardon<\/strong>, c\u2019est qu\u2019il s\u2019agissait d\u2019un des premiers films mettant en sc\u00e8ne un homme du r\u00e9gime qui, soudain, n\u2019y croit plus. \u00c0 partir de l\u00e0, tout est devenu tr\u00e8s compliqu\u00e9 pour Maryam et Behtash. Ils ont eu \u00e0 subir un proc\u00e8s <\/strong>qui a dur\u00e9 tr\u00e8s longtemps. Ils ont fini par s\u2019en sortir<\/strong>. Mais aujourd\u2019hui, ils vivent dans l\u2019attente d\u2019un nouveau proc\u00e8s pour Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9. C\u2019est sans fin !<\/strong><\/p>\n\n\n\n

Comment est n\u00e9 Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9 <\/strong>?<\/p>\n\n\n\n

Apr\u00e8s avoir \u00e9t\u00e9 acquitt\u00e9s de leur proc\u00e8s initial<\/strong>, Maryam et Behtash nous avons commenc\u00e9 \u00e0 \u00e9changer sur leur nouveau long m\u00e9trage. Nous nous sommes tout de suite dit que nous n\u2019allions pas partir sur un film aussi s\u00e9rieux que le pr\u00e9c\u00e9dent, qu\u2019il fallait trouver une autre approche et essayer d\u2019\u00eatre un peu plus l\u00e9ger<\/strong>, m\u00eame si le fond resterait toujours aussi grave. D\u2019o\u00f9 cette id\u00e9e d\u2019une apparente com\u00e9die romantique <\/strong>autour d\u2019une femme d\u2019un certain \u00e2ge que nous montrerions aussi avec ses amies. Un sujet universel que Maryam et Behtash traitent en montrant la vie telle qu\u2019elle est en Iran<\/strong>, de fa\u00e7on quasi documentaire<\/strong>. Ce contraste entre la chape de plomb qui existe \u00e0 l\u2019ext\u00e9rieur \u2013 dans les rues comme les couloirs de votre immeuble o\u00f9 votre voisin peut \u00e0 tout moment vous d\u00e9noncer \u2013 et cet espace de libert\u00e9 que constitue l\u2019int\u00e9rieur de votre appartement. <\/p>\n\n\n\n

La r\u00e9alisatrice, le r\u00e9alisateur<\/strong><\/p>\n\n\n

\n
\"\"
\u00a9Arizona<\/figcaption><\/figure>\n<\/div>\n\n\n

Maryam Moghaddam <\/strong>est n\u00e9e \u00e0 T\u00e9h\u00e9ran. Actrice, sc\u00e9nariste et r\u00e9alisatrice, elle est dipl\u00f4m\u00e9e de l\u2019\u00e9cole des arts du spectacle de G\u00f6teborg, en Su\u00e8de. Elle s\u2019est produite dans divers th\u00e9\u00e2tres su\u00e9dois et a jou\u00e9 dans des films iraniens tels que Closed Curtain<\/a> (Pard\u00e9, 2013<\/a> de Jafar Panahi et Kambuzia Partovi, Ours d\u2019argent lors de la 63e \u00e9dition de la Berlinale.<\/em><\/p>\n\n\n\n


Behtash Sanaeeha,son \u00e9poux, <\/strong>est n\u00e9 \u00e0 Shiraz. Apr\u00e8s avoir obtenu son dipl\u00f4me d\u2019architecte, il \u00e9crit des sc\u00e9narios et r\u00e9alise des courts m\u00e9trages, des documentaires et des publicit\u00e9s. . Behtash et Maryam commencent leur collaboration en co\u00e9crivant le long m\u00e9trage Risk of Acid Rain<\/strong> (2015) qu’il r\u00e9alise :une \u0153uvre magnifique sur la solitude et l\u2019amiti\u00e9, puissante par ses non-dits et savamment rythm\u00e9e d\u2019humour et de po\u00e9sie.). Leur film LE PARDON <\/strong>est pr\u00e9sent\u00e9 en comp\u00e9tition \u00e0 la Berlinale 2021 et connait une carri\u00e8re internationale exceptionnelle. MON G\u00c2TEAU PR\u00c9F\u00c9R\u00c9 <\/strong>est leur second long-m\u00e9trage de fiction.<\/em><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Maryam Moghadam, Behtash Sanaeeha (2025) Iran 1h36 Avec: Lili Farhadpour, Esmaeel Mehrabi, Mahin a 70 ans et vit seule \u00e0 T\u00e9h\u00e9ran. Bravant tous les interdits, elle d\u00e9cide de r\u00e9veiller sa …<\/p>\n","protected":false},"author":1,"featured_media":5302,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55],"tags":[],"class_list":["post-5296","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnales-2026"],"yoast_head":"\n"Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9" vendredi 20 novembre 20h30 s\u00e9ance gratuite<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2026\/09\/09\/mon-gateau-prefere-vendredi-20-novembre-20h30-seance-gratuite\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Mon g\u00e2teau pr\u00e9f\u00e9r\u00e9" vendredi 20 novembre 20h30 s\u00e9ance gratuite\" \/>\n<meta property=\"og:description\" content=\"Maryam Moghadam, Behtash Sanaeeha (2025) Iran 1h36 Avec: Lili Farhadpour, Esmaeel Mehrabi, Mahin a 70 ans et vit seule \u00e0 T\u00e9h\u00e9ran. 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