{"id":5229,"date":"2026-07-10T14:51:56","date_gmt":"2026-07-10T12:51:56","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=5229"},"modified":"2026-07-10T14:53:59","modified_gmt":"2026-07-10T12:53:59","slug":"selon-variations-lundi-30-novembre-18h15-et-20h30-en-presence-du-realisateur","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2026\/07\/10\/selon-variations-lundi-30-novembre-18h15-et-20h30-en-presence-du-realisateur\/","title":{"rendered":"\u00ab\u00a0Selon variations\u00a0\u00bb Lundi 30 novembre 18h15 et 20h30 en pr\u00e9sence du r\u00e9alisateur"},"content":{"rendered":"\n

Erwan Ricordeau (2024) France 1h24<\/strong><\/p>\n\n\n\n

Jean Rondeau est un claveciniste de renomm\u00e9e internationale au jeu \u00e9bouriffant . Pour sa tourn\u00e9e consacr\u00e9e aux Variations Goldberg<\/em>, il d\u00e9cide de partir en van avec son propre instrument . Accompagn\u00e9 de Florian Donati, accordeur, ils traversent l’Europe.<\/strong><\/p>\n\n\n\n

Une histoire d’amiti\u00e9, de solidarit\u00e9 un hymne \u00e0 la musique<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Les Variations Goldberg au clavecin, une aventure vivante, dr\u00f4le et tendre ! C’est inattendu ! Le film d’Erwan Ricordeau s’emploie \u00e0 d\u00e9mystifier toutes nos id\u00e9es pr\u00e9con\u00e7ues sur la musique baroque, ses repr\u00e9sentations et ses interpr\u00e8tes. L\u00e0 ce sont deux jeunes hommes plus ou moins bien ras\u00e9s (trois, avec le r\u00e9alisateur) qui embarquent pour un road-trip en Citro\u00ebn Jumpy plus ou moins bien entretenu, et font escale dans les plus chics auditoriums europ\u00e9ens. Il faut dire que Jean Rondeau est une vedette dans le milieu.<\/strong><\/p>\n\n\n\n

Et Florian Donati, son ami, un virtuose de la clef d’accord. L’un se montre en public et jouit de sa notori\u00e9t\u00e9 avec modestie. L’autre reste dans l’ombre. Le r\u00e9alisateur, lui aussi embarqu\u00e9, montre avec finesse la relation de ces deux hommes, n\u00e9cessairement marqu\u00e9e par leurs positions respectives. Entre moments de vie commune (autoroutes, h\u00f4tels, s\u00e9ances de coiffure \u00ab maison \u00bb) et repr\u00e9sentation (interviews, mondanit\u00e9s, captations de concerts), une amiti\u00e9 se montre, tr\u00e8s \u00e9mouvante, emport\u00e9e par un travail sonore impeccable. J\u00e9r\u00e9mie <\/strong>Jorrand<\/p>\n\n\n\n

\n

<\/p>\n<\/blockquote>\n\n\n\n

Le film trouve sa force dans cette alliance entre simplicit\u00e9 du dispositif et richesse des situations. Pas de discours th\u00e9orique, pas d\u2019analyse musicologique : seulement des corps, des gestes, des regards, des silences, des kilom\u00e8tres, des salles qui se succ\u00e8dent et des instants suspendus o\u00f9 la musique advient. Cette \u00e9conomie narrative donne au documentaire une authenticit\u00e9 qui le distingue des portraits d\u2019artistes plus conventionnels. Enfin, Selon Variations<\/em> touche par ce qu\u2019il dit du temps. \u00c0 l\u2019\u00e8re de la vitesse et de la dispersion, le film propose une autre temporalit\u00e9 : celle de l\u2019\u00e9coute, de la concentration, du pr\u00e9sent. En cela, il rejoint l\u2019esprit m\u00eame des Variations Goldberg<\/em>, dont il \u00e9pouse la structure faite de retours, de transformations et de respirations.<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n

N\u00e9 en 1983, Erwan Ricordeau sort du conservatoire de jazz <\/strong>du 9e arrondissement de Paris en 2005 en tant que contrebassiste<\/strong>. Parall\u00e8lement \u00e0 ses diff\u00e9rentes formations de musique, il r\u00e9alise des captations (majoritairement du r\u00e9pertoire baroque) depuis plus de dix ans. Monteur de ses propres r\u00e9alisations, il travaille sur partitions, en collaboration avec les interpr\u00e8tes qu\u2019il filme. D\u00e9sireux de rendre son travail le plus r\u00e9el possible, il s\u2019int\u00e9resse principalement \u00e0 filmer les musiciens lors de leurs enregistrements d’album<\/strong>, lorsqu’ils jouent pour eux-m\u00eame et non plus pour le public. .<\/em><\/p>\n\n\n\n

Il suit les formations d\u2019\u00e9criture et de r\u00e9alisation documentaire aux Ateliers Varans \u00e0 Paris <\/strong>\u00e0 l’issue desquelles il r\u00e9alise un premier court m\u00e9trage, Foyer L\u00e9nine. Selon Variations<\/a>, constitue son premier long m\u00e9trage<\/em><\/p>\n\n\n\n

\n

Paroles du r\u00e9alisateur<\/strong><\/p>\n<\/blockquote>\n\n\n

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\"\"<\/figure>\n<\/div>\n\n\n

\u00ab Cam\u00e9ra embarqu\u00e9e, je r\u00e9alise un film qui se veut t\u00e9moin du d\u00e9roulement d\u2019une tourn\u00e9e d\u2019envergure : douze mille kilom\u00e8tres et vingt dates en \u00e0 peine soixante jours<\/strong>. Je n\u2019ai jamais quitt\u00e9 les protagonistes ; ni avant le concert, ni apr\u00e8s, ni durant les heures de voyages. Je me suis install\u00e9 dans le quotidien de Jean afin de suivre le plus honn\u00eatement possible son travail personnel, ses r\u00e9p\u00e9titions avec le clavecin, ses \u00e9changes avec Florian, ses discussions avec les programmateurs, ses interviews par t\u00e9l\u00e9phone avec les journalistes, ses moments de respiration aussi, les instants suspendus dans le temps juste avant la mont\u00e9e sur sc\u00e8ne, les rencontres avec le public\u2026 Pourtant le documentaire ne se focalise pas seulement sur la vie de l\u2019artiste, il gravite autour du personnage afin de rendre compte du travail que chacun apporte pour offrir le meilleur concert possible au public \u00bb.<\/p>\n\n\n\n

Le musicien<\/strong><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Jean Rondeau est un claveciniste de renomm\u00e9e internationale, l\u2019un des plus brillants de sa g\u00e9n\u00e9ration. Son agenda est habituellement planifi\u00e9 deux ans \u00e0 l\u2019avance, et il joue dans les plus grandes salles du monde.<\/strong><\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Erwan Ricordeau (2024) France 1h24 Jean Rondeau est un claveciniste de renomm\u00e9e internationale au jeu \u00e9bouriffant . 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