{"id":4853,"date":"2025-12-06T09:31:55","date_gmt":"2025-12-06T08:31:55","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=4853"},"modified":"2026-04-14T08:06:05","modified_gmt":"2026-04-14T06:06:05","slug":"lete-de-kikujiro-lundi-13-avril-18h15-et-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2025\/12\/06\/lete-de-kikujiro-lundi-13-avril-18h15-et-20h30\/","title":{"rendered":"\u00ab\u00a0Hana-bi\u00a0\u00bb lundi 13 avril 18h15 et 20h30"},"content":{"rendered":"\n

Takeshi Kitano<\/a> (1997) Japon 1h43 Avec: Takeshi Kitano<\/a>, Tetsu Watanabe<\/a>, Kayoko Kishimoto<\/a><\/strong><\/p>\n\n\n\n

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Apr\u00e8s l\u2019assassinat d\u2019un coll\u00e8gue, l\u2019agression violente de son \u00e9quipier Horibe et l\u2019annonce du cancer en phase terminale de son \u00e9pouse, Nishi (Takeshi Kitano), un flic surdou\u00e9, mutique et fac\u00e9tieux, quitte la police<\/strong>……..<\/p>\n\n\n\n

Une \u0153uvre poignante et d\u00e9senchant\u00e9e, entre polar et drame intimiste.<\/strong><\/p>\n\n\n

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Le \u00ab\u00a0feu d\u2019artifice\u00a0\u00bb \u00e9voqu\u00e9 par le titre (Hana-Bi<\/em>\u00a0signifie feu d\u2019artifice en japonais) est d\u2019abord cette symphonie discontinue de violence dont l\u2019explosion devient un motif de contemplation picturale. Celle-ci surgit toujours de mani\u00e8re fulgurante, impressionnante gr\u00e2ce \u00e0 l\u2019extr\u00eame simplicit\u00e9 et l\u2019assurance du geste qui l\u2019engendre. Avec un simple mouchoir lest\u00e9 de pierres ou une paire de baguettes, Nishi \u00e9limine brutalement les yakuzas qui lui r\u00e9clament des int\u00e9r\u00eats sur une dette. Le r\u00e8glement de compte se met en sc\u00e8ne comme un ha\u00efku : bref, s\u00fbr et pr\u00e9cis.\u00a0Hana-Bi <\/em>rejoint ainsi le panth\u00e9on des films de \u00ab\u00a0po\u00e8tes-samoura\u00efs\u00a0\u00bb comme\u00a0Ghost Dog<\/em>\u00a0et\u00a0Dead Man<\/em>\u00a0de Jim Jarmusch, ou encore le futur\u00a0Zato\u00efchi<\/em>\u00a0du m\u00eame Kitano o\u00f9 le geste du meurtrier se rapproche de celui de l\u2019artiste.<\/strong>Critikat<\/p>\n\n\n\n

Rien de superflu, rien de trop, tout est \u00e0 l\u2019\u00e9conomie, \u00e9conomie de gestes, de paroles, de mouvements. Kitano flirte avec la violence et la brutalit\u00e9 pour mieux se livrer \u00e0 une douce envol\u00e9e presque onirique o\u00f9 il est question de fleurs et d\u2019animaux \u00e9tranges. La ma\u00eetrise absolue de la mise en sc\u00e8ne suscite l\u2019\u00e9merveillement, tout comme la beaut\u00e9 de la photo fait na\u00eetre l\u2019\u00e9motion. Du tr\u00e8s grand art<\/strong>.utopia<\/p>\n\n\n\n

Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n

Cadet d’une famille pauvre de quatre enfants, Takeshi Kitano <\/strong>commence sa carri\u00e8re en tant que liftier dans un cabaret de spectacles burlesques. C’est l\u00e0 qu’il remplace au pied lev\u00e9 un des com\u00e9diens un soir de spectacle. Beat Takeshi est n\u00e9. Avec son comp\u00e8re Beat Kiyoshi, il forme le duo Two Beats <\/strong>et se lance \u00e0 l’assaut de la t\u00e9l\u00e9vision japonaise en 1980. En duo comme en solo (avec l’\u00e9mission Oretachi Hyohinzoku, litt\u00e9ralement Nous sommes sauvages et cingl\u00e9s), Beat Takeshi triomphe tout au long des ann\u00e9es 80 avec son go\u00fbt de la provocation et son irr\u00e9v\u00e9rence. Au cin\u00e9ma, ce go\u00fbt pour le burlesque et la farce trouve son illustration dans le d\u00e9lirant Getting any <\/strong>?<\/a>, qu’il r\u00e9alise en 1994. Le film n’est distribu\u00e9 qu’en 2001 en France.<\/em><\/p>\n\n\n\n

Il entame parall\u00e8lement une carri\u00e8re au cin\u00e9ma, en apparaissant notamment dans Furyo de Nagisa Oshima en 1983. En 1989, Takeshi Kitano se lance dans la r\u00e9alisation avec le polar Violent Cop<\/strong><\/a>. Deux carri\u00e8res sym\u00e9triques et deux noms diff\u00e9rents pour chacune de ces directions : Beat Takeshi pour l’acteur, Takeshi Kitano pour le r\u00e9alisateur. Beat Takeshi appara\u00eet dans presque tous les films de Takeshi Kitano (except\u00e9s : Kid’s return<\/a>, A scene at the sea<\/a> et Dolls<\/a><\/strong>),<\/em><\/p>\n\n\n\n

Sc\u00e9nariste et acteur principal de ses propres films, Takeshi Kitano <\/strong>le r\u00e9alisateur se fait conna\u00eetre par ses polars au style m\u00e9lancolique et ultra violent bien particulier : Jugatsu<\/a> <\/strong>(1990), Sonatine<\/a> <\/strong>(1993) et Aniki, mon frere (2000). Il y compose des personnages mutiques et inqui\u00e9tants, que son visage \u00e0 moiti\u00e9 paralys\u00e9 (\u00e0 la suite d’un accident de moto en 1994) contribue \u00e0 rendre plus \u00e9nigmatique encore.<\/em><\/p>\n\n\n\n

Dans cet univers violent, Kitano <\/strong>m\u00e9nage des plages d’une infinie d\u00e9licatesse, faisant ainsi se c\u00f4toyer le path\u00e9tique, la m\u00e9lancolie et la cruaut\u00e9 la plus extr\u00eame. En t\u00e9moigne Hana-Bi<\/a> <\/strong>(1997), qui, en plus de lui offrir un Lion d’Or \u00e0 Venise, l’impose d\u00e9finitivement au plan mondial. Il est \u00e9galement capable de signer des oeuvres d\u00e9barrass\u00e9es de toute violence, comme A Scene at the Sea<\/a> <\/strong>(1992). Il poursuit dans la m\u00eame veine avec L<\/strong><\/a>‘Et\u00e9 de Kikujiro<\/a> <\/strong>(1999) ou encore le tr\u00e8s pictural Dolls<\/a> <\/strong>inspir\u00e9 du th\u00e9\u00e2tre de marionnettes japonais bunraku en 2002.<\/em><\/p>\n\n\n\n

En 2003 puis 2005, Zatochi puis Takeshi’s <\/strong>sont des m\u00e9ditations sur la violence, o\u00f9 comment la violence accumul\u00e9e sur des \u00eatres fragiles peut \u00eatre transform\u00e9e en spectacle de la violence suivront Achille et la tortue et Outrage <\/strong>en 2010 ses films suivants ne sont pas sortis en France<\/em><\/p>\n\n\n\n

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Paroles du r\u00e9alisateur<\/strong><\/p>\n\n\n\n

\u00ab\u00a0Si je devais d\u00e9finir mon style, je dirais qu\u2019il consiste d\u2019abord \u00e0 laisser le plus de libert\u00e9 possible au spectateur. J\u2019attends beaucoup du public, j\u2019essaie d\u2019\u00e9tablir un v\u00e9ritable dialogue avec lui. C\u2019est pour cela que j\u2019utilise autant d\u2019ellipses et que je laisse autant de choses inexpliqu\u00e9es.Cela tient aussi \u00e0 ma m\u00e9thode de travail. Le plus souvent, je d\u00e9marre le tournage sans sc\u00e9nario termin\u00e9, avec parfois une simple id\u00e9e de d\u00e9part comme c\u2019\u00e9tait le cas pour Hana-Bi.\u00a0\u00bb <\/strong><\/p>\n\n\n\n

\u00ab\u00a0Je ne crois pas que Hana-Bi soit un film policier. Simplement, dans la soci\u00e9t\u00e9 japonaise, seuls les flics et les yakuzas sont confront\u00e9s \u00e0 la mort quotidiennement. Basiquement, un cin\u00e9aste qui veut exprimer son id\u00e9e sur la vie et la mort n\u2019a que deux possibilit\u00e9s : parler des flics ou parler des yakuzas. J\u2019ai con\u00e7u ce film comme une sorte de balance entre la violence et1a douceur. Il faut parfois se lib\u00e9rer \u00e0 travers des actes tr\u00e8s violents pour que surgisse la douceur. Pareillement, ce sont souvent les \u00eatres les plus gentils qui se livrent aux actes de violence les plus terribles. Ces \u00e9l\u00e9ments se m\u00ealent de mani\u00e8re tr\u00e8s naturelle chez moi car je ne vois pas de contradiction entre eux. Je passe du r\u00e9alisme cru \u00e0 la com\u00e9die sans me poser de questions. Les choses se font naturellement en m\u00eame temps que se construit le film.\u00a0\u00bb<\/p>\n\n\n\n

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Takeshi Kitano (1997) Japon 1h43 Avec: Takeshi Kitano, Tetsu Watanabe, Kayoko Kishimoto Apr\u00e8s l\u2019assassinat d\u2019un coll\u00e8gue, l\u2019agression violente de son \u00e9quipier Horibe et l\u2019annonce du cancer en phase terminale de …<\/p>\n","protected":false},"author":1,"featured_media":5044,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-4853","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2025-2026"],"yoast_head":"\n"Hana-bi" lundi 13 avril 18h15 et 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2025\/12\/06\/lete-de-kikujiro-lundi-13-avril-18h15-et-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta 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