{"id":484,"date":"2019-07-16T23:21:51","date_gmt":"2019-07-16T21:21:51","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=484"},"modified":"2025-08-25T17:45:02","modified_gmt":"2025-08-25T15:45:02","slug":"rio-bravo","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2019\/07\/16\/rio-bravo\/","title":{"rendered":"\u00ab\u00a0Rio Bravo\u00a0\u00bb  Mercredi  27 novembre"},"content":{"rendered":"\n<p class=\"has-text-align-center has-very-dark-gray-color has-text-color\"><strong> 20h30 <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-very-dark-gray-color has-text-color has-medium-font-size\"><strong>s\u00e9ance \u00e0 Lunas<\/strong>, salle des f\u00eates<\/p>\n\n\n\n<p class=\"has-text-align-center has-very-dark-gray-color has-text-color\">(1959) USA 2h21  <strong>Howard Hawks<\/strong>   <\/p>\n\n\n\n<p class=\"has-text-align-center has-very-dark-gray-color has-text-color has-medium-font-size\"> Avec: <a href=\"http:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=1400.html\">John Wayne<\/a>,   <a href=\"http:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=3698.html\">Dean Martin<\/a><\/p>\n\n\n\n<p class=\"has-drop-cap has-very-dark-gray-color has-text-color\">Le sh\u00e9rif de Rio Bravo, John T.Chance a assist\u00e9 \u00e0 la d\u00e9ch\u00e9ance\nde son adjoint Dude qui a sombr\u00e9 dans l&rsquo;alcoolisme apr\u00e8s une d\u00e9ception\namoureuse. L&rsquo;arrestation de Joe Burdette qui vient d&rsquo;abattre un homme de\nsang-froid, va permettre au sh\u00e9rif, aid\u00e9 par ses co\u00e9quipiers, de donner \u00e0 Dude\nl&rsquo;occasion de se r\u00e9habiliter.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"400\" src=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2019\/07\/rio-bravo2.jpg\" alt=\"\" class=\"wp-image-639\" srcset=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2019\/07\/rio-bravo2.jpg 800w, https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2019\/07\/rio-bravo2-300x150.jpg 300w, https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2019\/07\/rio-bravo2-768x384.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Point d\u2019orgue de la carri\u00e8re d\u2019<em>Howard Hawks<\/em>, \u00ab&nbsp;<em>Rio  Bravo&nbsp;<\/em>\u00bb est consid\u00e9r\u00e9 par beaucoup comme le chef-d\u00b4oeuvre classique par  excellence. Depuis cinquante ans, <\/strong><em><strong>Rio Bravo<\/strong><\/em><strong> est l\u2019objet d\u2019une v\u00e9ritable v\u00e9n\u00e9ration de la part d\u2019une multitude de cin\u00e9philes \u00e0 travers le monde <\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Et puis, il y a la musique, qui participe aussi \u00e0 notre appropriation du temps et nous permet de nous lover davantage dans la complicit\u00e9 d\u2019amis attendant la confrontation, le d\u00e9nouement final du drame, dont ils savent, en hommes sages, qu\u2019il adviendra t\u00f4t ou tard. Hawks choisit d\u2019abord pour son film un th\u00e8me mexicain pour tambours et trompettes, sublime tout autant qu\u2019il est obs\u00e9dant, le <\/strong><em><strong>Deg\u00fcello<\/strong><\/em><strong>, qui signifie litt\u00e9ralement \u00ab \u00e9gorgement \u00bb. Cet air militaire aurait \u00e9t\u00e9 jou\u00e9 par les Mexicains lors du si\u00e8ge de Fort Alamo en 1836. Sa beaut\u00e9 ajoute \u00e0 celle toute enti\u00e8re du film. Et alors que les choses semblent vouloir se pr\u00e9cipiter, le r\u00e9alisateur nous accorde un petit r\u00e9cital inattendu, dans la prison, par Dean Martin <\/strong><em><strong>himself<\/strong><\/em><strong> poussant la chansonnette \u00ab\u00a0<\/strong><em><strong>My Rifle, My Pony and Me<\/strong><\/em><strong>\u00ab\u00a0, bient\u00f4t accompagn\u00e9 par Ricky Nelson (Colorado) \u00e0 la guitare. La sc\u00e8ne est d\u00e9licieuse, impr\u00e9vue et l\u2019\u00e9motion qui en \u00e9mane semble aussi bien nous envahir que les acteurs eux-m\u00eames.<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2019\/07\/rio-bravo-1-2.jpg\" alt=\"\" class=\"wp-image-643\"\/><\/figure>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>  A l\u2019instar du monstre sacr\u00e9 du western, John Ford, Hawks ne se soucie  pas de renouveler le genre mais au contraire, prend ses aises \u00e0  l\u2019int\u00e9rieur, utilisant tous les \u00e9l\u00e9ments connus et existants ayant  \u00e9maill\u00e9 une multitude d\u2019autres westerns, se d\u00e9marquant ainsi des  \u2018sur-westerns\u2019 \u00e0 tendance psychologique, comme <\/strong><em><strong>Le gaucher<\/strong><\/em><strong>de  Arthur Penn, qui commencent \u00e0 se faire de plus en plus nombreux. Point  d\u2019intellectualisation ni de profonde psychologie : Hawks est un  classique, un bon vivant plus qu\u2019un c\u00e9r\u00e9bral, et souhaite rester  respectueux de toute la codification d\u2019un genre qu\u2019il a d\u00e9j\u00e0 abord\u00e9 \u00e0  deux reprises, toujours avec la m\u00eame r\u00e9ussite. L\u00e0 o\u00f9 il se d\u00e9marque de  ses confr\u00e8res, c\u2019est par la nonchalance, la d\u00e9contraction et la  d\u00e9sinvolture qu\u2019il insuffle \u00e0 un film  <\/strong>(dvdclassik) <\/p>\n\n\n\n<h3 class=\"wp-block-heading has-text-align-center\">Howard Hawks<\/h3>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><em> Il se consid\u00e9rait comme un artisan et non comme un artiste. Il racontait  ses histoires de mani\u00e8re lin\u00e9aire, sans artifices, sans flash-back et  souvent sans ellipses, dans un style limpide et fluide que l\u2019on aurait  tort de croire simple&nbsp;: il repr\u00e9sente le comble du savoir-faire. Il  prenait le cin\u00e9ma pour ce qu\u2019il est, un divertissement populaire. <br> Bien s\u00fbr, les choses lui ont \u00e9t\u00e9 plus faciles qu\u2019\u00e0 d\u2019autres, de par sa  naissance dans un milieu favoris\u00e9&nbsp;: une famille de riches commer\u00e7ants de  l\u2019Indiana qui \u00e9migre en 1906 en Californie o\u00f9 elle vient d\u2019acqu\u00e9rir des  orangeraies. A seize ans il poss\u00e8de une voiture  puis un avion, il participe \u00e0 des courses, s\u2019engage comme pilote pendant  la Premi\u00e8re Guerre mondiale. Il entrera \u00e0 Hollywood par la petite  porte, pas du tout certain d\u2019y trouver sa voie. Mais, \u00e9videmment, quand  on est grand, blond, athl\u00e9tique, quand on peut compter sur l\u2019argent de  papa, quand on joue au tennis avec <strong>Mary Pickford<\/strong>, quand on est \u00e0 tu et \u00e0  toi avec <strong>Douglas Fairbanks<\/strong>&#8230; \u00e7a aide \u00e0 faire son chemin. <br> A partir de 1923, Howard Hawks se fait un nom en tant que sc\u00e9nariste. En 1926, il tourne son premier long m\u00e9trage, <strong>The road to glory <\/strong>(il en fera le remak<\/em>e en 1936). La c\u00e9l\u00e9brit\u00e9 <em>attendra encore quelques ann\u00e9es. Il l\u2019obtiendra gr\u00e2ce \u00e0  <strong>Scarface<\/strong>,  biographie du fameux gangster <strong>Al Capone <\/strong>(1932).  D\u00e8s lors, sa carri\u00e8re  est lanc\u00e9e. Avec un brio hors du commun, il se frotte \u00e0 tous les genres.  Western, film de guerre, film noir, com\u00e9die, aventure, \u00e0 chaque fois  (ou presque), bingo&nbsp;! <br> Qu\u2019a-t-il donc de si particulier qui fait que ses films marchent&nbsp;? Tout  d\u2019abord, il sait choisir avec soin ses com\u00e9diens. De nombreux d\u00e9butants  ou quasi d\u00e9butants lui doivent d\u2019ailleurs leur carri\u00e8re, <strong>Carole Lombard,  Lauren Bacall, Montgomery Clift<\/strong>, entre autres. Il est un directeur  d\u2019acteurs hors pair&nbsp;: pensez \u00e0 John Wayne, par exemple, qui n\u2019a jamais  \u00e9t\u00e9 aussi bon que sous la f\u00e9rule de <strong>Hawks<\/strong>. Il leur donne \u00e0 dire des  dialogues au naturel confondant, et en cela se d\u00e9marque tr\u00e8s vite des  autres r\u00e9alisateurs venus du muet qui s\u2019embourbent dans le th\u00e9\u00e2tre  film\u00e9. Et puis, surtout, il raconte des histoires. \u00ab\u00a0Je suis un raconteur d\u2019histoires, disait-il, c\u2019est la fonction principale du r\u00e9alisateur.\u00a0\u00bb  Des histoires qui brossent, \u00e0 travers ses quelque quarante films, un  portrait fid\u00e8le et honn\u00eate de la soci\u00e9t\u00e9 am\u00e9ricaine telle qu\u2019il la  percevait.  (Avoir \u00e0 lire)<\/em><br> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>20h30 s\u00e9ance \u00e0 Lunas, salle des f\u00eates (1959) USA 2h21 Howard Hawks Avec: John Wayne, Dean Martin Le sh\u00e9rif de Rio Bravo, John T.Chance a assist\u00e9 \u00e0 la d\u00e9ch\u00e9ance de &#8230;<\/p>\n","protected":false},"author":1,"featured_media":485,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-484","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2019-2020"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Rio Bravo&quot; Mercredi 27 novembre<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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