{"id":4106,"date":"2025-06-25T15:50:56","date_gmt":"2025-06-25T13:50:56","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=4106"},"modified":"2025-12-02T08:13:49","modified_gmt":"2025-12-02T07:13:49","slug":"winters-bone-lundi-1er-decembre-18h15-et-20h-30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2025\/06\/25\/winters-bone-lundi-1er-decembre-18h15-et-20h-30\/","title":{"rendered":"\u00ab\u00a0Winter&rsquo;s bone\u00a0\u00bb lundi 1er d\u00e9cembre 18h15 et 20h 30"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong><a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=28671.html\">Debra Granik<\/a> (2011) \u00c9tats Unis 1h40 Avec <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=212326.html\">Jennifer Lawrence<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=76973.html\">John Hawkes<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=113843.html\">Kevin Breznahan<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color has-link-color wp-elements-b72d0150db86b03f1c12dba672c790c3\"><strong>Ree Dolly a 17 ans, quand son p\u00e8re sort de prison et dispara\u00eet, elle se lance \u00e0 sa recherche .Ree va alors se heurter au silence de ceux qui peuplent ces for\u00eats du Missouri&#8230;..<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color has-link-color has-medium-font-size wp-elements-c235e356948ffea346694a92e4bdd0d0\"><strong>On en sort le souffle coup\u00e9, \u00e9pat\u00e9 par la force de l&rsquo;interpr\u00e9tation<\/strong>.<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-5cbfbc6aecaef75f9fa3ca5dde340664\"><strong>Cette r\u00e9alit\u00e9 que montre Granik n\u2019est ni un fantasme citadin ni un plaidoyer d\u00e9mago aux valeurs \u00e9ternelles de la campagne. La brutalit\u00e9 de son image, associ\u00e9e aux soins d\u00e9licats avec lequel elle brosse une douloureuse galerie de portraits (des com\u00e9diens chevronn\u00e9es comme John Hawkes ou Sheryl Lee jusqu\u2019aux inconnus aux regards br\u00fblants), font de <em>Winter\u2019s Bone<\/em> un film extraordinairement moderne, d\u00e9crivant un monde, le n\u00f4tre, qu\u2019on aimerait oublier et qu\u2019il faut bien, de temps en temps, regarder au fond des yeux. En cela, Debra Granik s\u2019inscrit dans le courant devenu classique d\u2019un cin\u00e9ma am\u00e9ricain qualifi\u00e9 d\u2019ind\u00e9pendant faute de meilleur adjectif. Entre survivance d\u2019un style tr\u00e8s seventies et une d\u00e9marche n\u00e9or\u00e9aliste dont le festival de Sundance s\u2019est fait l\u2019\u00e9picentre, parfois jusqu\u2019\u00e0 la caricature. Difficile de ne pas penser en d\u00e9couvrant <em>Winter\u2019s Bone<\/em> \u00e0 d\u2019autres films dont, parmi les plus r\u00e9cents et les plus int\u00e9ressants, <em>Frozen River<\/em> de Courtney Hunt ou <em>White Lightnin\u2019 <\/em>de Dominic Murphy. A chaque fois on y retrouve la ruralit\u00e9 la plus dure, la plus r\u00e9sistante, mais aussi le spectre de la bigoterie et du racisme, la pauvret\u00e9 end\u00e9mique, la violence et le repli sur soi-m\u00eame, des communaut\u00e9s comme des individus, <\/strong>Lib\u00e9<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-6c75f8c5c3658d9d365d196c37cb2856\"><strong>Debra Granik nous fait ainsi d\u00e9couvrir une des derni\u00e8res fronti\u00e8res am\u00e9ricaines, une zone comme perdue dans l\u2019espace-temps : la for\u00eat des Ozarks, dans le Missouri. Sur ce territoire inhospitalier, \u00e0 c\u00f4t\u00e9 duquel les villages des westerns d\u2019Anthony Mann ressemblent \u00e0 d\u2019accueillantes bourgades hobbites, Ree trace son chemin, de cabane en cabane, de marais en abattoir, pour retrouver un p\u00e8re fugitif ayant hypoth\u00e9qu\u00e9 sa maison pour payer sa caution.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-b37d115cc62dcf22b3c2c7e7091fda81\"><strong>Si elle ne le retrouve pas avant la fin du compte \u00e0 rebours, mort ou vif, la jeune fille et sa famille seront expuls\u00e9es, sans \u00e9tats d\u2019\u00e2me \u2013 <em>dura lex sed lex <\/em>(preuve qu\u2019on est bien dans un western). A l\u2019instar de Kelly Reichardt (<em>Old <\/em>Joy, Wendy et Lucy), Debra Granik utilise la crise (morale, \u00e9conomique) comme pur moteur fictionnel, davantage soucieuse d\u2019en montrer les effets concrets que d\u2019en d\u00e9noncer les causes.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-3eec855ab8e011c324beb2c8bed163ea\"><strong>Point de r\u00e9el m\u00e9chant ici (ou alors, seulement des m\u00e9chants), mais une attention constante \u00e0 l\u2019inextinguible flux vital des hommes et des femmes : lorsqu\u2019un vieux cow-boy rouill\u00e9 se saisit d\u2019un banjo, par exemple, qu\u2019un soldat explique longuement, presque en chuchotant, \u00e0 Ree pourquoi ce n\u2019est pas une bonne id\u00e9e pour elle de s\u2019engager dans l\u2019arm\u00e9e, ou qu\u2019un enfant se met \u00e0 faire du trampoline, en apesanteur.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color has-link-color wp-elements-757ff00d2381bef3ee842fb11c994929\"><strong>C\u2019est dans cette patience opini\u00e2tre et cette croyance dans les forces souterraines de la fiction que se dessinent, soyons-en s\u00fbrs, les premiers pas d\u2019une cin\u00e9aste \u00e0 suivre.<\/strong> Inrock<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><br><strong>La R\u00e9alisatrice<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><\/p>\n\n\n\n<p class=\"has-text-align-left has-black-color has-text-color has-link-color has-small-font-size wp-elements-8c08d0a435f635572fc7ca2ac4bdb79a\"><br><em><strong>Debra Granik<\/strong>, Autrice d&rsquo;un cin\u00e9ma minimal sur une Am\u00e9rique mise \u00e0 mal, Debra Granik, n\u00e9e le 6 f\u00e9vrier 1963 \u00e0 Cambridge<br>(Massachusetts), a tourn\u00e9 seulement un court et trois longs m\u00e9trages de fiction en 25 ans. Snake Feed (1997), Down to the Bone (2004), Winter&rsquo;s Bone (2010), Leave No Trace (2018) : chaque titre en dit l&rsquo;\u00e9pure, l&rsquo;esth\u00e9tique de l&rsquo;\u00e9t(h)ique, l&rsquo;approche min\u00e9rale et \u00ab \u00e0 l&rsquo;os \u00bb du travail de repr\u00e9sentation de la r\u00e9alit\u00e9 d&rsquo;un pays insoucieux de ses marges. Soit une population d&rsquo;outsiders, de laiss\u00e9s-pour-compte, d&rsquo;oubli\u00e9s de l&rsquo;abondance et de l&rsquo;argent comme unique gage de r\u00e9ussite, d&rsquo;individus bris\u00e9s, rong\u00e9s par le mal-\u00eatre, la drogue et la pauvret\u00e9. Son cin\u00e9ma de l&rsquo;exclusion, et du retrait comme autre forme de d\u00e9tachement de la soci\u00e9t\u00e9 (Leave No Trace), jette une lumi\u00e8re crue sur l&rsquo;\u00e9tat de l&rsquo;Am\u00e9rique (de Trum pour le dernier opus). Or, plut\u00f4t que d&rsquo;interroger les seules causes externes de ce d\u00e9labrement social et humain, Debra Granik fait de sa mise en sc\u00e8ne un espace d&rsquo;\u00e9tude des comportements propres \u00e0 d\u00e9jouer les pi\u00e8ges et difficult\u00e9s face \u00e0 l&rsquo;adversit\u00e9. De quels ressorts, m\u00e9canismes int\u00e9rieurs de r\u00e9sistance, \u00e9nergie vitale, capacit\u00e9 de r\u00e9silience, les \u00eatres sont-ils capables ? Comment Ree va-t-elle survivre, se demande la cin\u00e9aste au moment o\u00f9 elle lit le roman de Daniel Woodrell, Un hiver de glace, qui servira de point de d\u00e9part \u00e0 Winter&rsquo;s Bones<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Paroles de la r\u00e9alisatrice<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-89bb2d54dc9ac0fbfc95c7ec21744bd0\"><em>\u00ab\u00a0En Europe, vous avez les Flandres des fr\u00e8res Dardenne, nous, on a le Missouri. L&rsquo;histoire de <\/em>Winter&rsquo;s Bone<em> n&rsquo;est d&rsquo;ailleurs pas si noire : le personnage principal, <\/em><a href=\"http:\/\/www.lemonde.fr\/sujet\/3db7\/ree-dolly.html\"><em>Ree Dolly<\/em><\/a><em>, lutte pour la survie de son fr\u00e8re et de sa soeur. Elle a un c\u00f4t\u00e9<\/em> \u00ab\u00a0stronger than hell\u00a0\u00bb<em>, plus forte que l&rsquo;enfer\u00a0\u00bb<\/em>,<\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-c148cdd79cb7f9c98f2fe5b293e975b8\"><em>Anne Rosellini, avec qui j\u2019ai \u00e9crit le script, et moi avons utilis\u00e9 des com\u00e9diens professionnels et des gens du coin. Le personnage du chef de clan, par exemple, est un motard de la Bikers Church. Un type passionnant, ancien du Vietnam qui sillonne tout le pays \u00e0 moto depuis des ann\u00e9es. Son nom, c\u2019est Stray Dog, chien errant. Il l\u2019a inscrit sur son blouson, et c\u2019est un bon r\u00e9sum\u00e9 de son existence. Il est un t\u00e9moin, un reporter de ce que la vie peut avoir de plus difficile en Am\u00e9rique.\u00bb<\/em><\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color has-link-color wp-elements-829774dcdb2c276de10323a418a1db13\"><em>\u00abJ\u2019ai la conviction que rien \u00e0 l\u2019\u00e9cran n\u2019est exotique mais, au contraire, tr\u00e8s familier en Am\u00e9rique. Je suis tr\u00e8s sensible sur cette question parce que nous avons impliqu\u00e9 de nombreuses familles et que je ne voulais pas que l\u2019interpr\u00e9tation de leur r\u00e9alit\u00e9 soit trop \u00e9loign\u00e9e de la v\u00e9rit\u00e9. Il fallait faire attention \u00e0 expurger la moindre notion de jugement moral sur leurs conditions de vie. Ce n\u2019est pas anodin que les gens l\u00e0-bas puissent garder la m\u00eame voiture vingt ou trente&nbsp;ans ou que la chasse ne soit pas un sport mais une t\u00e2che comme une autre. Au Missouri, comme dans huit ou dix autres Etats aux Etats-Unis, les enfants ne vont \u00e0 l\u2019\u00e9cole que quatre jours par semaine, de sorte qu\u2019ils puissent aider leur famille. Il fallait que tout cela se per\u00e7oive \u00e0 l\u2019\u00e9cran.\u00bb<\/em><\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Debra Granik (2011) \u00c9tats Unis 1h40 Avec Jennifer Lawrence, John Hawkes, Kevin Breznahan Ree Dolly a 17 ans, quand son p\u00e8re sort de prison et dispara\u00eet, elle se lance \u00e0 &#8230;<\/p>\n","protected":false},"author":1,"featured_media":4188,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[41],"tags":[],"class_list":["post-4106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2025-2026"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Winter&#039;s bone&quot; lundi 1er d\u00e9cembre 18h15 et 20h 30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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