{"id":4085,"date":"2025-06-25T15:47:34","date_gmt":"2025-06-25T13:47:34","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=4085"},"modified":"2025-09-22T22:45:00","modified_gmt":"2025-09-22T20:45:00","slug":"made-in-bangladeshlundi-21-septembre-18h15-et-20h30-seance-gratuite","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2025\/06\/25\/made-in-bangladeshlundi-21-septembre-18h15-et-20h30-seance-gratuite\/","title":{"rendered":"\u00ab\u00a0Made in Bangladesh\u00a0\u00bblundi 22 septembre 18h15 et 20h30 S\u00e9ance gratuite"},"content":{"rendered":"\n

Rubaiyat Hossain<\/a> (2019) Bangladesh 1h35<\/a> Avec:Rikita Shimu<\/a>, Novera Rahman<\/a>, Parvin Paru<\/a><\/strong><\/p>\n\n\n\n

Shimu, 23 ans, travaille dans une usine textile \u00e0 Dacca, au Bangladesh. Face \u00e0
des conditions de travail de plus en plus dures, elle d\u00e9cide avec ses coll\u00e8gues de
monter un syndicat…..<\/strong><\/p>\n\n\n\n

Ce film social use de la couleur comme d\u2019une arme de combat<\/strong><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

Tourn\u00e9 au Bangladesh, dans un quartier pauvre de Dacca, avec une \u00e9quipe technique essentiellement f\u00e9minine, le film distille aussi les parfums, les couleurs, les odeurs de cette vie de quartier o\u00f9 les femmes se retrouvent et vivent dans la rue. Il dit aussi la pression de la religion et des coutumes qui imposent le mariage comme seule issue aux destin\u00e9es f\u00e9minines. Made in Bangladesh<\/em> rappelle les films optimistes de Ken Loach, avec l’espoir au bout de l’histoire\u2026 <\/strong>utopia<\/p>\n\n\n\n

Made in Bangladesh<\/em> est une \u0153uvre d\u2019autant plus rare qu\u2019elle \u00e9mane du Bangladesh. Voil\u00e0 un cin\u00e9ma ignor\u00e9 des distributeurs et de la sph\u00e8re cin\u00e9matographique en g\u00e9n\u00e9ral. Le film rend un hommage admirable \u00e0 un pays dont la visibilit\u00e9 artistique est tr\u00e8s faible. Pour autant, on pressent autour de cette premi\u00e8re \u0153uvre un savoir-faire important, \u00e0 l\u2019image de l\u2019Inde dont l\u2019industrie cin\u00e9matographique est l\u2019une des plus prolixes au monde. Les com\u00e9diens brillent dans cette histoire terrible, et le spectateur ne peut s\u2019emp\u00eacher de penser que les r\u00f4les qu\u2019ils jouent demeurent sans doute pour eux un exercice p\u00e9dagogique, \u00e9tant pr\u00e9serv\u00e9s du destin de ces ouvri\u00e8res. Il est certain que ce long m\u00e9trage prend une place toute particuli\u00e8re sur nos \u00e9crans, \u00e0 l\u2019heure o\u00f9 les capitalismes les plus durs commencent \u00e0 imaginer des mod\u00e8les \u00e9conomiques plus \u00e9thiques et o\u00f9 les femmes affirment de plus en plus le r\u00f4le qu\u2019elles ont \u00e0 jouer en mati\u00e8re d\u2019\u00e9mancipation sociale et culturelle. Made in Bangladesh<\/em> est tout aussi dur qu\u2019il est rempli d\u2019espoir. Le titre, si bien choisi, pourrait concerner l\u2019Inde, de nombreux pays d\u2019Afrique, la Chine, etc. On esp\u00e8re simplement qu\u2019au moment de sa sortie cette \u0153uvre changera nos consciences et peut-\u00eatre, soyons fous, la surface du monde.<\/strong> Laurent Cambon<\/a><\/p>\n\n\n\n

C\u2019est ce syst\u00e8me patriarco-capitaliste contre lequel s\u2019\u00e9l\u00e8ve Shimu lorsqu\u2019elle d\u00e9cide de monter un syndicat afin de d\u00e9fendre ses droits et ceux de ses coll\u00e8gues.
Car ces femmes arrivent au bout de la cha\u00eene de l\u2019exploitation outranci\u00e8re de la plan\u00e8te et de ses ressources mat\u00e9rielles et humaines : elles sont les plus petits poissons qui sont aval\u00e9s successivement par des pr\u00e9dateurs de plus en plus gros.
Opprim\u00e9es dans leur sph\u00e8re sociale et familiale, elles sont \u00e9galement \u00e9cras\u00e9es par un syst\u00e8me \u00e9conomique globalis\u00e9 qui profite d\u2019une main d\u2019\u0153uvre tr\u00e8s bon march\u00e9 dans certains pays \u00ab en voie de d\u00e9veloppement \u00bb. Shimu est l\u2019une des petites mains invisibles qui fabriquent ce qui se retrouve dans nos grandes surfaces pour notre insatiable consommation<\/strong>.Sarah Belhadi<\/p>\n\n\n\n

<\/p>\n\n\n\n

La r\u00e9alisatrice: Rubaiyat Hossain<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Elle est n\u00e9e en 1981\u00e0 Dacca<\/a>. elle effectue des \u00e9tudes  de  r\u00e9alisation cin\u00e9matographique \u00e0 la New York Film Academy<\/a> dont elle sort en 2002. Ses d\u00e9buts en tant que cin\u00e9aste datent de 2011 avec Meherjaan, un film sur une femme bengali ayant une histoire d’amour avec un soldat pakistanais au cours de la guerre de lib\u00e9ration du Bangladesh<\/a> en 1971. Le film soul\u00e8ve une controverse au Bangladesh et est retir\u00e9 des salles de cin\u00e9ma par ses distributeurs. Son film, Les Lauriers-roses rouges, diffus\u00e9 en 2015 (2017 en France) raconte l’histoire d’une femme, actrice de th\u00e9\u00e2tre, .Made in Bangladesh est son troisi\u00e8me film<\/em><\/p>\n\n\n\n

Elle a travaill\u00e9 \u00e9galement, pour des organisations non gouvernementales<\/a> sur les droits des femmes<\/a> au Bangladesh<\/em><\/p>\n\n\n\n

L’interview<\/strong><\/p>\n\n\n\n

Quel a \u00e9t\u00e9 le point de d\u00e9part de cette histoire ?<\/strong><\/p>\n\n\n\n

Je m\u2019int\u00e9resse depuis longtemps \u00e0 la condition des femmes. J\u2019ai fait des recherches pendant trois ans,j\u2019ai rencontr\u00e9 beaucoup d\u2019ouvri\u00e8res, je n\u2019avais aucune connaissance particuli\u00e8re de ce milieu. Je me suis finalement rapproch\u00e9e d\u2019une femme nomm\u00e9e Daliya, qui a \u00e9t\u00e9 syndicaliste. Cette femme a \u00e9t\u00e9 horriblement maltrait\u00e9e, prisonni\u00e8re d\u2019un mariage abusif, mais son souhait \u00e9tait de retrouver une forme de dignit\u00e9. J\u2019ai pu commencer \u00e0 \u00e9crire mon sc\u00e9nario, librement inspir\u00e9 des vrais \u00e9v\u00e9nements de sa vie.<\/p>\n\n\n\n

Avez-vous tourn\u00e9 dans une v\u00e9ritable usine ? N\u2019est-ce pas dangereux de s\u2019attaquer \u00e0 un tel sujet dans un
pays o\u00f9 les patrons de l\u2019industrie textile sont si proches du pouvoir politique ?<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n


Nous avons trouv\u00e9 une usine abandonn\u00e9e, nous avons lou\u00e9 des machines et recr\u00e9\u00e9 enti\u00e8rement l\u2019endroit. Nous y avons consacr\u00e9 une grande partie du budget ! Il fallait que les machine fonctionnent, et aussi qu\u2019on se procure les accessoires, \u00e0 la fois pour la section couture, la section repassage, etc. Nous avons aussi engag\u00e9 de vraies ouvri\u00e8res. Au Bangladesh, pour faire un film, il faut soumettre le sc\u00e9nario au Film Dvelopment Corporation et obtenir une autorisation. Nous l\u2019avons eue. Ensuite, nous avons ferm\u00e9 le plateau, en r\u00e9duisant le nombre de visiteurs et sans aucun article dans la presse.<\/p>\n\n\n\n

La situation des femmes au Bangladesh semble tr\u00e8s paradoxale \u2026<\/strong><\/p>\n\n\n\n


Certes. Le Bangladesh est dirig\u00e9 par une femme, le chef de l\u2019opposition est une femme, et c\u2019est une femme qui pr\u00e9side l\u2019assembl\u00e9e. Au sein de l\u2019industrie textile, l\u2019activit\u00e9 qui rapport le plus au pays, 80% de la masse salariale est f\u00e9minine. La colonne vert\u00e9brale \u00e9conomique du pays est garantie par des femmes. Et ces ouvri\u00e8res travaillent ensemble, ont un grand sens
de la camaraderie. Dans les \u00ab gender studies \u00bb, on apprend qu\u2019un grand pas est d\u00e9j\u00e0 franchi si une femme r\u00e9siste et se bat. Des g\u00e9n\u00e9rations avant nous se sont battues pour l\u2019\u00e9ducation, et c\u2019est gr\u00e2ce \u00e0 elles que nous sommes l\u00e0 aujourd\u2019hui : \u00ab nous sommes l\u00e0 o\u00f9 nous sommes parce que nous reposons sur les \u00e9paules des femmes qui nous ont pr\u00e9c\u00e9d\u00e9es \u00bb. Bien s\u00fbr, la vie de Daliya ne sera jamais luxueuse, mais elle avance. Elle n\u2019accepte pas passivement l\u2019oppression sociale et sexuelle qu\u2019on lui impose.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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