{"id":4012,"date":"2025-08-20T17:30:45","date_gmt":"2025-08-20T15:30:45","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=4012"},"modified":"2025-11-17T06:19:47","modified_gmt":"2025-11-17T05:19:47","slug":"kuessipan-samedi-15-novembre-10h45","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2025\/08\/20\/kuessipan-samedi-15-novembre-10h45\/","title":{"rendered":"\u00ab\u00a0Kuessipan\u00a0\u00bb samedi 15 novembre 10h45"},"content":{"rendered":"\n

Myriam Verreault<\/a> (2021) Qu\u00e9bec 1h57 Avec: Sharon Fontaine-Ishpatao<\/a>, Yamie Gr\u00e9goire<\/a>, \u00c9tienne Galloy<\/a><\/strong><\/p>\n\n\n\n

Deux amies ins\u00e9parables : Mikuan et Shaniss, grandissent dans une communaut\u00e9 innue. elles se promettent de toujours rester ensemble, co\u00fbte que co\u00fbte, mais \u00e0 l’aube de leurs 17 ans, leur amiti\u00e9 se fragilise ……<\/strong><\/p>\n\n\n\n

une ode bouleversante \u00e0 l\u2019amiti\u00e9 et \u00e0 la libert\u00e9.<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

La force de Kuessipan (\u00c0 toi en innu) tient \u00e0 son incroyable authenticit\u00e9 et \u00e0 la justesse de ses acteurs, tous issus de la communaut\u00e9 innue, . Le film n\u2019est pas seulement une superbe observation impressionniste des paradoxes des Innus, avec ses moments savoureux, aussi \u00e9tonnants que touchants, mais aussi le r\u00e9cit passionnant d\u2019une amiti\u00e9 tourment\u00e9e par les divergences de choix de vie \u00e0 l\u2019\u00e2ge adulte. Ce r\u00e9cit est adapt\u00e9 du roman quasi autobiographique de Naomi Fontaine \u2013 le personnage de Mikuan est son alter ego \u2013, qui a permis \u00e0 moult Qu\u00e9b\u00e9cois de d\u00e9couvrir les r\u00e9alit\u00e9s des Innus : leur pauvret\u00e9, les probl\u00e8mes sociaux qui les minent, l\u2019angoisse de perdre leur culture ancestrale, le racisme latent de certains Blancs, l\u2019incompr\u00e9hension mutuelle de deux communaut\u00e9s qui se c\u00f4toient si peu et se m\u00e9fient tellement\u2026 Le film de Myriam Verreault est cependant, et avant tout, porteur d\u2019un tr\u00e8s beau message d\u2019espoir. D\u2019abord sur la capacit\u00e9 des individus et des communaut\u00e9s \u00e0 d\u00e9passer la m\u00e9fiance et l\u2019ignorance pour se rencontrer, se raconter. Surtout, elle nous dit que, quelles que soient les difficult\u00e9s, quelles que soient les \u00e9preuves, il est n\u00e9cessaire de croire aux serments d\u2019enfants. <\/strong>. utopia<\/p>\n\n\n\n

La richesse de ce film, jou\u00e9 principalement par des non professionnels, se trouve dans la mani\u00e8re avec laquelle les th\u00e8mes sont abord\u00e9s. Les discussions tournent notamment autour de l\u2019exploitation des ressources du territoire, du tiraillement entre les traditions et le \u00ab confort \u00bb de la vie moderne, de la dynamique familiale, de la fracture linguistique entre les a\u00een\u00e9s, qui parlent en innu, et leurs enfants, qui leur r\u00e9pondent en fran\u00e7ais. On parle m\u00eame de musique (\u00ab Tu t\u2019attendais \u00e0 du Kashtin ? \u00bb). \u00c0 travers le personnage \u00ab non innu \u00bb de Francis, dont on se paie gentiment la t\u00eate dans les r\u00e9unions de famille de Mikuan parce qu\u2019il a l\u2019impression d\u2019\u00eatre arriv\u00e9 sur la plan\u00e8te Mars, on \u00e9voque \u00e9videmment l\u2019incompr\u00e9hension collective entre les Blancs et les communaut\u00e9s autochtones. C\u2019est parfois dr\u00f4le, souvent touchant. Par ailleurs, il convient de souligner aussi le travail du directeur photo. Nicolas Canniccioni a magnifiquement su capter l\u2019\u00e2pre beaut\u00e9 des paysages de la C\u00f4te-Nord, \u00e0 l\u2019image d\u2019un film d\u2019o\u00f9 \u00e9mane une superbe force tranquille. <\/strong>Marc Andr\u00e9 Lussier<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

La r\u00e9alisatrice<\/strong><\/p>\n\n\n\n

Myriam Verreault a grandi \u00e0 Loretteville en banlieue de Qu\u00e9bec Apr\u00e8s des \u00e9tudes en journalisme, en histoire et en cin\u00e9ma, elle gravite dans le milieu de la t\u00e9l\u00e9vision et du cin\u00e9ma en tant qu\u2019accessoiriste, r\u00e9alisatrice et monteuse Elle se fait conna\u00eetre avec \u00c0 l\u2019ouest de Pluton en 2009, Elle monte, en 2014, Qu\u00e9b\u00e9koisie un documentaire traitant des relations entre Qu\u00e9b\u00e9cois et Autochtones Elle a d\u00e9but\u00e9 le travail de recherche et de sc\u00e9narisation de Kuessipan en 2012 en compagnie de l\u2019\u00e9crivaine du roman \u00e9ponyme, Naomi Fontaine Elle y a planch\u00e9 pendant 5 ans avant de le tourner, multipliant les voyages d\u2019immersion dans la communaut\u00e9 innue<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n


<\/p>\n\n\n\n

L’auteure du livre et co-sc\u00e9nariste<\/p>\n\n\n\n

Naomi Fontaine, co-sc\u00e9nariste et auteur du livre Kuessipan est n\u00e9e dans la communaut\u00e9 innue de Uashat, petite baie du Fleuve St-Laurent enclav\u00e9e dans la ville Sept-\u00celes Apr\u00e8s ses \u00e9tudes uni-ersitaires \u00e0 Qu\u00e9bec, elle retourne \u00e0 Uashat, o\u00f9 elle pratique la profession d\u2019enseignante durant trois ans Attach\u00e9e \u00e0 son peuple, elle \u00e9crit le visage des Innus, ce que leurs yeux ont v\u00e9cu Son premier recueil de r\u00e9cits po\u00e9tiques Kuessipan : \u00c0 toi, a \u00e9t\u00e9 publi\u00e9 en 2011 .Elle codirige \u00e9galement l\u2019anthologie qui rassemble des \u00e9crits des Premiers peuples,Tracer un chemin, Meshkenatsheu. Puis son deuxi\u00e8me roman, Manikanetish, Petite Marguerite .Son 3e r\u00e9cit est intitul\u00e9 Shuni.<\/em><\/p>\n\n\n\n

L’interview<\/strong><\/p>\n\n\n\n

Kuessipan\u201d signifie : \u00ab \u00c0 toi \u00bb, \u00ab \u00c0 ton tour \u00bb. Au-del\u00e0 de sa signification dans le
livre, quelle est la port\u00e9e de ce \u00ab \u00c0 toi \u00bb ?<\/strong><\/p>\n\n\n\n


Myriam Verreault : Le titre fait \u00e9cho non seulement \u00e0 l\u2019histoire, mais aussi au processus de cr\u00e9ation. Il y avait quelque chose \u00e0 transmettre, une sorte de passation de flambeau pour que le film puisse exister. Naomi a d\u2019abord accept\u00e9 de me transmettre son livre Kuessipan, mais elle m\u2019a aussi transmis une volont\u00e9 et un savoir.<\/p>\n\n\n\n


Naomi Fontaine : Le livre n\u2019est pas une histoire \u00e0 proprement parler. C\u2019est un ensemble de voix. Lorsque j\u2019ai \u00e9crit Kuessipan, j\u2019avais une intention tr\u00e8s claire : donner \u00e0 voir des visages, des lieux et des moments v\u00e9cus dans ma communaut\u00e9. Le d\u00e9sir de
m\u2019\u00e9loigner des images g\u00e9n\u00e9ralement v\u00e9hicul\u00e9es de Uashat mak Mani-Utenam* 1 , celles du d\u00e9s\u0153uvrement et de la perte d\u2019identit\u00e9. Kuessipan, c\u2019est d\u2019abord \u00ab \u00e0 toi \u00bb, \u00ab \u00e0 eux \u00bb, \u00e0 ceux dont je parle, d\u2019exister en dehors des pr\u00e9jug\u00e9s.<\/p>\n\n\n\n


MV : Cette passation allait s\u2019op\u00e9rer ensuite avec les com\u00e9diens, pratiquement tous des Innus de la communaut\u00e9, pour qui c\u2019\u00e9tait la toute premi\u00e8re exp\u00e9rience professionnelle de jeu. Ils allaient incarner des personnages tr\u00e8s proches d\u2019eux et prouver \u00e0 leur tour qu\u2019ils pouvaient aussi faire partie de ce monde.<\/p>\n\n\n\n

Au-del\u00e0 de cette histoire d\u2019une amiti\u00e9 fusionnelle mise \u00e0 l\u2019\u00e9preuve, le film d\u00e9cline l\u2019id\u00e9e de libert\u00e9 sous plusieurs formes : dans le rapport au territoire, dans les rapports aux autres et les aspirations pour le futur.<\/strong><\/p>\n\n\n\n


MV : Je me souviens d\u2019une entrevue au t\u00e9l\u00e9phone lors de mon s\u00e9jour de sc\u00e9narisation. De son bureau \u00e0 Montr\u00e9al, la journaliste m\u2019a demand\u00e9e ce qui me marquait chez les Innus. Au m\u00eame instant, je regardais une fille de dix ans rouler en quatre-roues sans casque sur la plage. J\u2019ai r\u00e9pondu : la libert\u00e9. En vivant l\u00e0-bas, j\u2019ai senti cette libert\u00e9 qui s\u2019exprime comme un gros \u00ab fuck you \u00bb aux r\u00e8gles, aux lois, aux lignes de d\u00e9marcation\u2026<\/p>\n\n\n\n


NF : Il n\u2019y a pas de mot qui d\u00e9signe \u00ab libert\u00e9 \u00bb en innu. Il faut avoir connu l\u2019enfermement pour se faire une id\u00e9e de ce qu\u2019est la libert\u00e9. Une mani\u00e8re d\u2019exprimer cette id\u00e9e dans ma langue serait donc \u00ab fin de l\u2019enfermement \u00bb. Le contraire de la r\u00e9serve, finalement<\/p>\n\n\n\n


MV : J\u2019ai essay\u00e9 de mettre en sc\u00e8ne des moments de vie qui transcendent l\u2019enfermement de la r\u00e9serve. La sc\u00e8ne d\u2019ouverture incarne \u00e7a j\u2019esp\u00e8re. On voit Mikuan et Shaniss, enfants, cueillant des petits poissons, le capelan, sur la plage la nuit<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

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