{"id":3684,"date":"2024-12-02T08:12:39","date_gmt":"2024-12-02T07:12:39","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=3684"},"modified":"2025-08-25T11:08:14","modified_gmt":"2025-08-25T09:08:14","slug":"les-secrets-des-autres-lundi-3-mai-18h15-et-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2024\/12\/02\/les-secrets-des-autres-lundi-3-mai-18h15-et-20h30\/","title":{"rendered":"\u00ab\u00a0Les secrets des autres\u00a0\u00bb lundi 5 mai 18h15 et 20h30"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=546777.html\">Patrick Wang<\/a> (2015) Etats Unis 1h43 Avec: <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=104992.html\">Wendy Moniz<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=125969.html\">Trevor St. John<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=628256.html\">Oona Laurence<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Jessica se r\u00e9fugie chez son p\u00e8re qui a cr\u00e9\u00e9 une nouvelle famille dont les non dits gangr\u00e8nent le quotidien . Peut-on raccommoder? Peut-on se raccommoder?<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color has-medium-font-size wp-block-paragraph\"><strong>Une candeur et une franchise d\u00e9sarmantes, qui g\u00e9n\u00e8re une r\u00e9elle \u00e9motion.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"900\" height=\"506\" src=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2024\/11\/les-secrets-des-autres.jpg2_.jpg\" alt=\"\" class=\"wp-image-3730\" style=\"width:746px;height:419px\" srcset=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2024\/11\/les-secrets-des-autres.jpg2_.jpg 900w, https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2024\/11\/les-secrets-des-autres.jpg2_-300x169.jpg 300w, https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2024\/11\/les-secrets-des-autres.jpg2_-768x432.jpg 768w\" sizes=\"auto, (max-width: 900px) 100vw, 900px\" \/><\/figure>\n<\/div>\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color wp-block-paragraph\"><strong>C&rsquo;est une histoire de deuils \u00e0 faire, qui se croisent, s&rsquo;entrechoquent pour d\u00e9peindre le tableau d&rsquo;une humanit\u00e9 r\u00e9jouissante et goulue comme un nourrisson. On restera longtemps envo\u00fbt\u00e9 par la mani\u00e8re de filmer, po\u00e9tique et inventive, de Patrick Wang. Longtemps hant\u00e9s aussi par le tout premier plan, une entr\u00e9e en mati\u00e8re intrigante, subtile, d&rsquo;une \u00e9vidence qui avale tout dans son sillage.&nbsp;<\/strong> Utopia<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color wp-block-paragraph\"><strong>Faisant directement r\u00e9f\u00e9rence aux nouvelles d&rsquo;Alice Munro et aux tableaux d&rsquo;Edward Hopper, Wang parvient \u00e0 structurer une esth\u00e9tique r\u00e9solue, \u00e9mouvante dans sa fa\u00e7on de fabriquer de l&rsquo;attente, un personnage en soi. La qualit\u00e9 de l&rsquo;image est, elle aussi, d\u00e9terminante. \u00ab\u00a0Le grain et la couleur de la pellicule sont importants\u00a0\u00bb, explique le cin\u00e9aste, amateur d&rsquo;objectifs et de formats \u00e0 l&rsquo;ancienne, comme le super-16 et le super-8&nbsp;mm. \u00ab\u00a0Les diff\u00e9rentes grosseurs de grain deviennent un outil dynamique produisant des effets psychologiques subtils.&nbsp;<\/strong> Journal du Dimanche<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color wp-block-paragraph\"><strong>La mise en sc\u00e8ne de Patrick Wang est faite de plans longs avec un minimum de champ-contrechamp afin de faire advenir l&rsquo;\u00e9motion par le seul jeu des acteurs au sein de l&rsquo;espace. Il ne sollicite pas davantage l&rsquo;\u00e9motion par le recours \u00e0 de la musique off. Au sein de ces grandes nappes de pr\u00e9sent, surgissent des flashes-back qui expriment les manques affectifs ressentis par les personnages. Ces flashes-back ont ainsi moins pour but de r\u00e9v\u00e9ler un \u00e9l\u00e9ment essentiel de l&rsquo;histoire que d&rsquo;\u00eatre de purs moments d&rsquo;\u00e9motion, d\u00e9clench\u00e9s par la m\u00e9moire involontaire.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color wp-block-paragraph\"><strong>Patrick Wang porte aussi une grande attention \u00e0 la psychologie, toujours d&rsquo;une grande finesse, cherchant \u00e0 comprendre l&rsquo;autre et \u00e0 \u00e9viter de le blesser. Il aime la beaut\u00e9 des objets investis du travail de l&rsquo;artisan ou de l&rsquo;artiste : les cubes sculpt\u00e9s, le travail de reliure de <a href=\"https:\/\/www.cineclubdecaen.com\/realisateur\/wangpatrick\/inthefamily.htm\">In the Family<\/a>, les dioramas des <a href=\"https:\/\/www.cineclubdecaen.com\/realisateur\/wangpatrick\/secretsdesautres.htm\">Secrets des autres<\/a>  <\/strong>Jean Luc Lacuve<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong>Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color wp-block-paragraph\"><em>Les parents de Patrick Wang venus de Ta\u00efwan s&rsquo;installent \u00e0 Houston, au Texas, o\u00f9 Patrick Wang nait et grandit. dipl\u00f4m\u00e9 en \u00e9conomie, il travaille dans cette branche pendant des ann\u00e9es avant de devenir acteur, r\u00e9alisateur, producteur puis sc\u00e9nariste de t\u00e9l\u00e9vision<\/em>. <\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><em>Patrick Wang r\u00e9alise son premier long-m\u00e9trage pour le cin\u00e9ma en 2011. <a href=\"https:\/\/www.cineclubdecaen.com\/realisateur\/wangpatrick\/inthefamily.htm\">In the Family<\/a> .En 2015,  donc,&nbsp;<a href=\"https:\/\/www.lacid.org\/fr\/films-et-cineastes\/films\/les-secrets-des-autres\">Les Secrets Des Autres<\/a>&nbsp;. Ces deux opus b\u00e9n\u00e9ficient d&rsquo;excellentes critiques. En 2018 sort A Bread Factory, part1, en 2019 A Bread Factory part2 : L&rsquo;histoire d&rsquo;une ancienne boulangerie transform\u00e9e en lieu culturel.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size wp-block-paragraph\"><strong>L&rsquo;interview<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\"><strong>Quelle est donc votre conception d\u2019une bonne performance d\u2019acteur ?<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color wp-block-paragraph\">J\u2019ai une th\u00e9orie selon laquelle la plupart sont int\u00e9ressantes, en fait, parce que les acteurs se soucient de la qualit\u00e9 de leur travail. Malheureusement, ce qu\u2019ils font d\u2019int\u00e9ressant se retrouve la plupart du temps coup\u00e9 au montage. J\u2019ai l\u2019impression que beaucoup de cin\u00e9astes ne se rendent pas compte de ce dont est capable un acteur. Ils r\u00e9fl\u00e9chissent trop en termes d\u2019information, quand il faut montrer ceci ou faire ressentir cela, alors que ce qui est beau dans une performance a plus \u00e0 voir avec la nature humaine. Quand se d\u00e9cide-t-on \u00e0 parler ? Que se passe-t-il quand une pens\u00e9e na\u00eet dans notre esprit ? C\u2019est toujours pr\u00e9sent chez les bons acteurs, mais ce n\u2019est pas toujours ce que la cam\u00e9ra regarde.<\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\"><strong>Cela fait \u00e9cho \u00e0 vos personnages, qui paraissent exister en dehors des films et ne pas vivre seulement dans leurs sc\u00e8nes, une qualit\u00e9 rare \u00e0 voir au cin\u00e9ma.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-purple-color has-text-color wp-block-paragraph\">Pour faire ressentir qu\u2019un personnage a davantage de trajectoires possibles que ce qui est montr\u00e9, le film doit m\u00e9nager une place pour l\u2019ind\u00e9cision. Quand une sc\u00e8ne semble in\u00e9vitable, par exemple, les vies des personnages paraissent tout de suite plus restreintes. Lorsque je revois mes films aujourd\u2019hui, je suis hant\u00e9 par la crainte de voir un acteur oublier son texte ou ne pas se placer au bon endroit, et je pense que c\u2019est parce qu\u2019il y a quelque chose de vivant dans leurs sc\u00e8nes : les personnages sont en mesure de faire des choix. C\u2019est quand un acteur exerce un certain pouvoir, qu\u2019on ne sait pas exactement ce qu\u2019il va faire, que l\u2019on ressent ce dont vous parlez : la vie, par-del\u00e0 le film.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Patrick Wang (2015) Etats Unis 1h43 Avec: Wendy Moniz, Trevor St. John, Oona Laurence Jessica se r\u00e9fugie chez son p\u00e8re qui a cr\u00e9\u00e9 une nouvelle famille dont les non dits &#8230;<\/p>\n","protected":false},"author":1,"featured_media":3733,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-3684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024-2025"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Les secrets des 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