{"id":3678,"date":"2024-12-02T08:10:38","date_gmt":"2024-12-02T07:10:38","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=3678"},"modified":"2025-08-25T11:04:49","modified_gmt":"2025-08-25T09:04:49","slug":"linnocence-lundi-17-mars-18h15-et-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2024\/12\/02\/linnocence-lundi-17-mars-18h15-et-20h30\/","title":{"rendered":"\u00ab\u00a0L’Innocence\u00a0\u00bb lundi 17 mars 18h15 et 20h30"},"content":{"rendered":"\n

Hirokazu Kore-eda<\/a> (2023) Japon 2h07 Avec: Sakura And\u00f4<\/a>, Eita Nagayama<\/a>, Soya Kurokawa<\/a><\/strong><\/p>\n\n\n\n

Le jeune Minato est il harcel\u00e9 par son professeur? Trois regards port\u00e9s sur Minato suffiront ils pour approcher la v\u00e9rit\u00e9?<\/strong><\/p>\n\n\n\n

Une \u0153uvre forte, sophistiqu\u00e9e, bouleversante: du grand art<\/strong><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Inlassablement, l\u2019ami Kore-Eda sur son m\u00e9tier remet l\u2019ouvrage pour dire la famille, l\u2019enfance, la soci\u00e9t\u00e9 japonaise corset\u00e9e. Et c\u2019est \u00e0 chaque fois un bonheur renouvel\u00e9 que de red\u00e9couvrir son cin\u00e9ma dont la grande ambition est de rester modeste. Tout en douceur, aussi peu spectaculaire que possible mais qui nous traverse pourtant d\u2019un tourbillon d\u2019\u00e9motions, du rire aux larmes, en ayant l\u2019air de ne surtout pas les provoquer. Et nous, que voulez-vous, \u00e0 chaque fois on marche et on en redemande <\/strong>!Utopia<\/p>\n\n\n\n

Il faudra attendre la fin de L\u2019Innocence<\/em> et un troisi\u00e8me et magnifique segment d\u00e9di\u00e9 \u00e0 ses deux jeunes protagonistes pour enfin acc\u00e9der au secret du r\u00e9cit, et peut-\u00eatre au secret d\u2019une \u0153uvre et d\u2019un cin\u00e9aste qui n\u2019a cess\u00e9 d\u2019\u00eatre travaill\u00e9 par la question de la marge et du rejet. Quelque chose alors dans l\u2019\u00e9claircissement progressif que constitue le trajet du film, ce grand brouillage ma\u00eetris\u00e9 peu \u00e0 peu dissip\u00e9, surpasse le simple exercice formel qui voudrait que cette structure en triptyque intensifie le suspense du r\u00e9cit (qui est le monstre\u2009?).<\/strong><\/p>\n\n\n\n

Ce que produit \u00e0 l\u2019inverse L\u2019Innocence,<\/em> dans ses ramifications, ses redites, ses s\u00e9quences rejou\u00e9es plusieurs fois selon un angle diff\u00e9rent, favorisant la r\u00e9colte des pi\u00e8ces d\u2019un grand puzzle incomplet ou celles, \u00e0 conviction, d\u2019une sc\u00e8ne de crime, c\u2019est un certain \u00e9tat de stup\u00e9faction d\u00fb au surgissement de son myst\u00e8re. Dans cette combustion lente se lisent les signaux d\u2019une soci\u00e9t\u00e9 b\u00e2illonn\u00e9e et plus pr\u00e9cis\u00e9ment la parole des enfants, personnages dont on sait l\u2019importance dans la filmographie du cin\u00e9aste japonais, jamais tout \u00e0 fait entendue. <\/strong>Inrock<\/p>\n\n\n\n

Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n

N\u00e9 en 1962 \u00e0 Tokyo, Kore-Eda est r\u00e9v\u00e9l\u00e9 en France en 1999 \u00e0 l’occasion de la distribution de ses deux premiers longs m\u00e9trages,sans doute les deux plus beaux, Maborosi (1995) et After Life<\/a> (1998). Le premier est la chronique m\u00e9lancolique de la vie d’une jeune femme dont le destin est marqu\u00e9 par la disparition de ses proches. Le second est une fable exp\u00e9rimentale et joyeuse situ\u00e9e dans les limbes, o\u00f9 les d\u00e9funts doivent s\u00e9lectionner le souvenir qui les accompagnera dans l’\u00e9ternit\u00e9.<\/em><\/p>\n\n\n\n

Suivront Distance (2001), tentative d’interpr\u00e9tation du suicide des membres de la secte L’Arche de v\u00e9rit\u00e9, puis Nobody Knows<\/a> (2004), qui confronte des enfants \u00e0 la disparition soudaine de leur m\u00e8re. <\/em><\/p>\n\n\n\n

Cin\u00e9aste prolifique, retenons quelques unes de ses \u0153uvres, en dehors des documentaires: Tel p\u00e8re, tel fils<\/a> (2013) interroge la relation filiale au travers du drame d’enfants \u00e9chang\u00e9s \u00e0 la naissance entre deux familles, Notre petite s\u0153ur<\/a> (2015) interroge aussi l’amour filial comme condition pour affronter plus sereinement l’avenir, En 2018, Une affaire de famille<\/a> re\u00e7oit la Palme d’or<\/a> au 71e<\/sup> Festival de Cannes. Apr\u00e8s deux voyages \u00e0 l\u2019\u00e9tranger, La V\u00e9rit\u00e9 (2019) en France, Les Bonnes \u00c9toiles (2022) atteste du retour de Kore-eda au pays natal.<\/em><\/p>\n\n\n\n

l’interview<\/strong><\/p>\n\n\n\n

Le harc\u00e8lement scolaire est un probl\u00e8me tr\u00e8s pr\u00e9sent au Japon. Ce que montre le film refl\u00e8te-t-il vraiment la r\u00e9alit\u00e9 du pays ?<\/p>\n\n\n\n

Je me suis beaucoup renseign\u00e9 aupr\u00e8s de personnes qui font partie de l\u2019institution p\u00e9dagogique au Japon. Toutes \u00e9taient d\u2019accord pour dire que les situations mises en sc\u00e8ne dans le film \u00e9taient plausibles. Tout le probl\u00e8me est li\u00e9 \u00e0 l\u2019institution et \u00e0 la fa\u00e7on dont celle-ci d\u00e9fend ses int\u00e9r\u00eats propres. Ce dysfonctionnement-l\u00e0, le fait de vouloir prot\u00e9ger la r\u00e9putation de l\u2019\u00e9tablissement avant toute chose, rel\u00e8ve d\u2019une actualit\u00e9 conforme \u00e0 celle qui se joue aujourd\u2019hui au Japon.<\/p>\n\n\n\n

En 2018, le gouvernement mettait en place une nouvelle mati\u00e8re, la morale. Y a-t-il des progr\u00e8s sur ce front-l\u00e0 ?<\/p>\n\n\n\n

Je crois que l\u2019\u00e9ducation morale n\u2019a pas \u00e9t\u00e9 introduite dans les programmes scolaires pour r\u00e9soudre le probl\u00e8me des brimades, mais dans un d\u00e9lire visant \u00e0 rendre l\u2019\u00e9ducation scolaire plus semblable \u00e0 la p\u00e9riode d\u2019avant-guerre : une \u00e9ducation sous contr\u00f4le de l\u2019\u00c9tat, visant \u00e0 former des citoyens plus loyaux \u00e0 l\u2019\u00e9gard de la nation. Je pense que, dans une soci\u00e9t\u00e9 japonaise fortement homophobe, la valorisation de la diff\u00e9rence et de l\u2019individualit\u00e9 peine \u00e0 s\u2019ancrer, et pas seulement dans les \u00e9coles.<\/p>\n\n\n\n

Ne peut-on pas voir dans le film une parabole de la d\u00e9couverte de l\u2019homosexualit\u00e9 ? Les premiers \u00e9mois amoureux, pour les personnes homosexuelles, sont souvent contrari\u00e9s \u00e0 la racine : aucune place n\u2019est laiss\u00e9e, justement, \u00e0 l\u2019amour innocent.<\/p>\n\n\n\n

Apr\u00e8s de nombreuses discussions avec les sc\u00e9naristes et les producteurs, ainsi qu\u2019avec des membres d\u2019organisations de soutien aux enfants LGBTQ, nous avons d\u00e9cid\u00e9 de ne pas faire de Minato un \u00eatre qui se nomme et s\u2019identifie comme homosexuel. Nous avons pr\u00e9f\u00e9r\u00e9 lui laisser croire qu\u2019il \u00e9tait un \u00ab monstre \u00bb, c\u2019est-\u00e0-dire quelque chose qui ne peut \u00eatre nomm\u00e9, comme l\u2019indique le titre original \u2014 et d\u2019une certaine mani\u00e8re, c\u2019est le cas.<\/p>\n\n\n\n

Selon ce m\u00eame principe de contrari\u00e9t\u00e9, le film tout entier fait flirter les enfants avec des images de mort. Mais simultan\u00e9ment, le film irradie une grande tendresse. Comment parvenez-vous \u00e0 faire cohabiter ces oppos\u00e9s dans le m\u00eame film ?<\/p>\n\n\n\n

J\u2019ai beaucoup r\u00e9fl\u00e9chi \u00e0 la mani\u00e8re dont nous pourrions coexister. L\u2019indice \u00e9tait le feu et l\u2019eau, et j\u2019ai toujours gard\u00e9 \u00e0 l\u2019esprit l\u2019id\u00e9e que l\u2019histoire commence par le feu, donc la mort, et se termine par l\u2019eau, c\u2019est-\u00e0-dire la vie.<\/p>\n","protected":false},"excerpt":{"rendered":"

Hirokazu Kore-eda (2023) Japon 2h07 Avec: Sakura And\u00f4, Eita Nagayama, Soya Kurokawa Le jeune Minato est il harcel\u00e9 par son professeur? Trois regards port\u00e9s sur Minato suffiront ils pour approcher …<\/p>\n","protected":false},"author":1,"featured_media":3735,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-3678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2024-2025"],"yoast_head":"\n"L'Innocence" lundi 17 mars 18h15 et 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2024\/12\/02\/linnocence-lundi-17-mars-18h15-et-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""L'Innocence" lundi 17 mars 18h15 et 20h30\" \/>\n<meta property=\"og:description\" content=\"Hirokazu Kore-eda (2023) Japon 2h07 Avec: Sakura And\u00f4, Eita Nagayama, Soya Kurokawa Le jeune Minato est il harcel\u00e9 par son professeur? 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