{"id":3142,"date":"2023-11-26T09:04:01","date_gmt":"2023-11-26T08:04:01","guid":{"rendered":"https:\/\/cineclubbedarieux.fr\/?p=3142"},"modified":"2025-08-25T11:25:08","modified_gmt":"2025-08-25T09:25:08","slug":"les-camaradeslundi-5-fevrier-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/11\/26\/les-camaradeslundi-5-fevrier-20h30\/","title":{"rendered":"Cin\u00e9-classic:\u00a0\u00bbLes camarades\u00a0\u00bblundi 5 f\u00e9vrier 20h30"},"content":{"rendered":"\n

Mario Monicelli France \/ Italie \/ – 1963 – 2h10 – Avec Marcello Mastroianni, Renato Salvatori, Annie Girardot, Folco Lulli, Bernard Blier, Rafaella Carr\u00e1, Fran\u00e7ois P\u00e9rier<\/strong><\/p>\n\n\n\n

Turin, \u00e0 l’aube du XXem si\u00e8cle. Dans une fabrique textile, trois ouvriers entrent en conflit avec le contrema\u00eetre. Alors que des sanctions tombent, l’instituteur Sinigaglia, un militant socialiste fra\u00eechement arriv\u00e9 de G\u00eanes, pousse les travailleurs \u00e0 s’organiser.<\/strong><\/p>\n\n\n\n

Immense film servi par des acteurs parmi les meilleurs de leur temps<\/strong><\/p>\n\n\n\n

<\/p>\n\n\n\n

Les Camarades<\/em> frappe d\u2019abord par la vision antiromantique de la classe ouvri\u00e8re, caract\u00e9ris\u00e9e plut\u00f4t par sa trivialit\u00e9 intempestive. Attroupement bigarr\u00e9 de physionomies disparates (gros, petits, grands, maigres, caboss\u00e9s, frip\u00e9s, mutil\u00e9s), le prol\u00e9tariat de Monicelli gueule, \u00e9ructe, se montre sale ou grossier, parfois raciste ou libidineux (Raoul, jou\u00e9 par Renato Salvatori, qui lutine toutes les jeunes femmes du quartier). Dans le noir et blanc r\u00e2peux et hypercontrast\u00e9 du grand chef op\u00e9rateur Giuseppe Rotunno, le film \u00e9chappe \u00e0 toute forme d\u2019id\u00e9alisation, au profit d\u2019un prosa\u00efsme r\u00eache, qui prend parfois des allures de cauchemar (l\u2019univers sombre et inqui\u00e9tant de l\u2019usine). <\/strong>Le Monde<\/p>\n\n\n\n

Le sc\u00e9nario s’inspire d’\u00e9v\u00e8nements qui secou\u00e8rent l’Italie du Nord en pleine industrialisation. Cette gr\u00e8ve du textile \u00e0 Turin, tr\u00e8s dure, tr\u00e8s violente, fut la premi\u00e8re dans le pays. Monicelli d\u00e9crit avec une grande vigueur humaniste et lyrisme une classe ouvri\u00e8re qui cherche \u00e0 vivre et travailler dignement. Les portraits de cette petite soci\u00e9t\u00e9 sont \u00e0 la fois vrais et pittoresques ainsi du militaire qui les aide, de l’adolescent illettr\u00e9, de l’amoureux c\u00e9libataire ou de la jeune femme qui a quitt\u00e9 la pauvret\u00e9 pour vendre ses charmes. Du migrant sicilien m\u00e9pris\u00e9 au p\u00e8re de famille r\u00e2leur, chacun est admirablement incarn\u00e9.<\/strong><\/p>\n\n\n\n

C’est avec les patrons que le cin\u00e9aste est le plus dur, m\u00e9pris de classe (la propri\u00e9taire de l’usine est ignoble), condescendance pour les pauvres et app\u00e2t du gain sont leur unique fa\u00e7on de vivre. Le film n’est pas, pour autant, un acte de propagande. Monicelli n’est pas tendre non plus avec l’agitateur en chef que joue Marcello Mastroianni, personnage jusqu’au-boutiste qui jette de l’huile sur le feu pour une cause \u00e0 laquelle il est \u00e9trang\u00e8re. Mais il ne sait faire que cela. <\/strong> Cineclub caen<\/p>\n\n\n\n

Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n

Mario Monicelli na\u00eet en 1915 \u00e0 Viareggio. Fils du journaliste et critique de th\u00e9\u00e2tre Tommasso Monicelli, il \u00e9tudie l’histoire et la philosophie puis fait ses d\u00e9buts de critique en 1932. A 19 ans il r\u00e9alise son 1er court m\u00e9trage en 1934 puis un moyen m\u00e9trage prim\u00e9 \u00e0 Venise, . En 1937 il r\u00e9alise Pioggia d’estate<\/a> (pluie d’\u00e9t\u00e9) sous le pseudonyme de Michele Badiek. il est aussi assistant-r\u00e9alisateur aux c\u00f4t\u00e9s entre autres de Pietro Germi<\/a>, <\/em><\/p>\n\n\n\n

Les ann\u00e9es 1949 \u00e0 1953 sont marqu\u00e9s par sa collaboration prolifique (huit films \u00e0 succ\u00e8s en 4 ans) avec Stefano Vanzina, plus connu sous le nom de Steno<\/a>. Il d\u00e9marre une carri\u00e8re solo \u00e0 partir de 53 en plein \u00e2ge d’or du cin\u00e9ma italien. Il devient un ma\u00eetre de la com\u00e9die satirique avec Toto cherche un appartement<\/a> qui re\u00e7oit le lion d’or \u00e0 Venise en 1959 ou encore Les Camarades<\/a> qui aux oscars dans la cat\u00e9gorie meilleur sc\u00e9nario re\u00e7oit celui du meilleur film. Il signe d’autres grands succ\u00e8s tels que Le Pigeon<\/a> qui r\u00e9v\u00e8le les talents comiques de Vittorio Gassman<\/a> et Marcello Mastroianni<\/a>, <\/em><\/p>\n\n\n\n

Dans les ann\u00e9es 1960, Monicelli se consacre \u00e9galement \u00e0 des films \u00e0 sketches<\/a> : Boccace 70<\/a> (1962), Mes Chers amis ……Mais pas que . Auteur de nombreuses r\u00e9alisations jusqu\u2019en 2006 dont on peut d\u00e9tacher Arm\u00e9e Brancaleone<\/a> <\/a>, Un Borghese piccolo, piccolo<\/a>, ou Le Marquis s’amuse<\/a>, il se suicidera en 2010 \u00e0 l’age de 95 ans atteint d’un cancer en phase terminale<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

L‘interview de Gilles Perret documentariste fran\u00e7ais, sp\u00e9cialiste des luttes sociales \u00e0 propos de \u00ab\u00a0les Camarades\u00a0\u00bb<\/strong><\/p>\n\n\n\n

Monicelli a-t-il r\u00e9alis\u00e9, selon vous, un film militant ? Pourquoi ?<\/strong><\/p>\n\n\n\n

Avant de qualifier ou non ce film de \u00ab militant \u00bb, il faut tout d\u2019abord dire que c\u2019est un tr\u00e8s beau film. Les personnages et la situation sociale de l\u2019\u00e9poque sont magnifiquement film\u00e9s. En ce qui concerne le terme de \u00ab militant \u00bb, j\u2019ai toujours du mal avec ce mot car il a tendance \u00e0 amenuiser la dimension cin\u00e9matographique de l\u2019\u0153uvre sous pr\u00e9texte que le r\u00e9alisateur voudrait faire passer ses id\u00e9es aux forceps. …….<\/strong><\/p>\n\n\n\n

Lorsqu\u2019on parle de la vie d\u2019ouvriers ou d’employ\u00e9s, on ferait forc\u00e9ment un film militant ? C\u2019est pourtant le quotidien de l\u2019immense majorit\u00e9 des gens qui est d\u00e9peinte dans ces films. En tout cas, ces th\u00e8mes sont plus en rapport avec la vie des gens aujourd’hui que les sc\u00e8nes de d\u00eener en ville autour d\u2019une bonne bouteille de vin dans les appartements aux hauts plafonds parisiens qui envahissent le cin\u00e9ma fran\u00e7ais. ….<\/strong><\/p>\n\n\n\n

\u00ab Les Camarades \u00bb font \u00e9cho au \u00ab d\u00e9fi de la modernit\u00e9 \u00bb tel que conceptualis\u00e9 par le penseur marxiste italien Antonio Gramsci : \u00ab Vivre sans illusions et sans pourtant devenir d\u00e9sillusionn\u00e9. \u00bb O\u00f9 trouver les moyens de ne pas baisser les bras ?<\/strong><\/p>\n\n\n\n

Quand on parle d\u2019histoire sociale, on ne peut pas \u00eatre d\u00e9sillusionn\u00e9. Chaque fois, m\u00eame apr\u00e8s les moments les plus sombres, les gens ont su se relever et faire progresser la condition humaine. Chaque fois, ils l\u2019ont fait lorsqu\u2019ils se sont mis ensemble et non pas lorsqu\u2019on a pr\u00f4n\u00e9 la r\u00e9ussite individuelle. Je constate qu\u2019aujourd\u2019hui, avec les nouvelles g\u00e9n\u00e9rations, il est plus facile de poser la question du partage des richesses et de remettre en cause l\u2019id\u00e9e qu\u2019il n\u2019y aurait pas d\u2019alternative \u00e0 cette \u00e9conomie lib\u00e9rale, qui va finir par tout d\u00e9truire, la nature et les organisations humaines, par pure cupidit\u00e9. C\u2019est une note d\u2019espoir car le questionnement est le d\u00e9but de la r\u00e9sistance.<\/strong><\/p>\n\n\n\n

A qui conseilleriez-vous ce film ? Quels arguments leur donneriez-vous ?<\/strong><\/p>\n\n\n\n

A tous ceux qui aiment le cin\u00e9ma, mais surtout \u00e0 tous ceux qui ne se sentent pas repr\u00e9sent\u00e9s, ou alors de fa\u00e7on caricaturale, dans l\u2019espace m\u00e9diatique. Ils y trouveront des raisons de s\u2019\u00e9mouvoir, de s\u2019\u00e9nerver, de relever la t\u00eate et apprendront une page d\u2019histoire sociale sans manich\u00e9isme. <\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Mario Monicelli France \/ Italie \/ – 1963 – 2h10 – Avec Marcello Mastroianni, Renato Salvatori, Annie Girardot, Folco Lulli, Bernard Blier, Rafaella Carr\u00e1, Fran\u00e7ois P\u00e9rier Turin, \u00e0 l’aube du …<\/p>\n","protected":false},"author":1,"featured_media":3148,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-3142","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2023-2024"],"yoast_head":"\nCin\u00e9-classic:"Les camarades"lundi 5 f\u00e9vrier 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/11\/26\/les-camaradeslundi-5-fevrier-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" 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