{"id":2848,"date":"2023-07-09T10:35:40","date_gmt":"2023-07-09T08:35:40","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=2848"},"modified":"2025-08-25T22:01:41","modified_gmt":"2025-08-25T20:01:41","slug":"le-festin-de-babette-samedi-18-novembre-17h15-presente-par-cecile-gornet","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/07\/09\/le-festin-de-babette-samedi-18-novembre-17h15-presente-par-cecile-gornet\/","title":{"rendered":"\u00ab\u00a0Le Festin de Babette\u00a0\u00bb samedi 18 novembre 17h15 pr\u00e9sent\u00e9 par C\u00e9cile Gornet"},"content":{"rendered":"\n

Gabriel Axel (1987) Danemark 1h42 avec St\u00e9phane Audran<\/a>, Bodil Kjer<\/a>, Birgitte Federspiel<\/a><\/strong><\/p>\n\n\n\n

1871 Babette exil\u00e9e de la commune au Danemark, f\u00eate son retour possible en France en pr\u00e9parant un grandiose <\/strong>repas.<\/p>\n\n\n\n

Festival de malices et de douceurs, un vrai festin pour ceux dont l\u2019\u0153il \u00e9coute.<\/strong><\/p>\n\n\n\n

Le film de Gabriel Axel rejoint The Dead<\/em> de John Huston, le repas y suit le m\u00eame mouvement de la r\u00e9surgence du pass\u00e9, pour aboutir \u00e0 la m\u00eame r\u00e9v\u00e9lation d’une histoire d’amour impossible et morte. Plus qu’un oeuvre d’atmosph\u00e8re pointilliste, Le Festin de Babette<\/em> reste, avant tout une belle histoire, un conte moderne o\u00f9 le merveilleux n’a d’autre pouvoir sur la vie que de rendre les \u00e9checs, les regrets et la mort plus doux. Avec ce film po\u00e9tique, Gabriel Axel prend place parmi les cin\u00e9astes conteurs, qui aiment leur histoire, mais aussi leurs personnages et leurs acteurs: ils sont tous ici magnifiques.
Fr\u00e9d\u00e9ric Strauss [Cahiers du cin\u00e9ma<\/em><\/strong><\/h6>\n\n\n\n

Bel instant de cin\u00e9ma que la description des plats, leur ordre d\u2019apparition, leur saveur \u00e9vidente, et, pour enrichir le propos, la lente illumination des convives, leur d\u00e9couverte de la vie r\u00e9elle gr\u00e2ce \u00e0 la gourmandise autant qu\u2019\u00e0 la fraternit\u00e9. On ne tombe pas dans une d\u00e9bauche alimentaire, encore moins une ivresse \u00e9nolique, il s\u2019agit d\u2019une sorte de f\u00eate presque pa\u00efenne, o\u00f9 des \u00eatres humains d\u2019une mani\u00e8re inattendue, brisent leur carcan social, abandonnent un instant leurs certitudes religieuses, se r\u00e9jouissent pour la premi\u00e8re fois. Cette Babette tomb\u00e9e des nues leur offre un instant de plaisir.<\/strong><\/p>\n\n\n\n

Au centre d\u2019un film marqu\u00e9 par la peinture hollandaise, les visages s\u2019animent, les yeux p\u00e9tillent, les couleurs se multiplient, nous songeons \u00e0 l\u2019univers du grand Carl Th. Dreyer, la qualit\u00e9 du cadre, la richesse du d\u00e9tail domestique, des portraits de femmes hors du commun et surtout le foisonnement de la beaut\u00e9 li\u00e9e \u00e0 la bont\u00e9<\/strong>. Jean Louis Coy<\/p>\n\n\n\n

Avant de passer sur grand \u00e9cran, Le Festin de Babette<\/em> est avant tout la fameuse nouvelle sign\u00e9e par Karen Blixen, la m\u00eame qui, un an plus t\u00f4t, \u00e9tait c\u00e9l\u00e9br\u00e9e \u00e0 titre posthume par Hollywood pour l\u2019adaptation r\u00e9ussie d\u2019Out of Africa<\/em><\/a> par Sydney Pollack. Il n\u2019y a donc rien de surprenant \u00e0 ce que, de l\u2019autre c\u00f4t\u00e9 de l\u2019Atlantique, l\u2019autrice ait int\u00e9ress\u00e9 \u00e9galement les coproductions europ\u00e9ennes. La sanction fut la m\u00eame : le film du r\u00e9alisateur danois Gabriel Axel remportera \u00e9galement l\u2019Oscar tant convoit\u00e9 du meilleur film \u00e9tranger. Pourtant, la proposition formelle est ici bien \u00e9loign\u00e9e du lyrisme romantique du r\u00e9alisateur de Nos plus belles ann\u00e9es<\/em> \u00e0 qui les m\u00e9lodrames sophistiqu\u00e9s ont toujours plut\u00f4t r\u00e9ussi. Sans pour autant caricaturer la s\u00e9cheresse de ses concitoyens les plus connus (on est ici \u00e0 mille lieues de Dreyer), Gabriel Axel est n\u00e9anmoins dans une certaine forme d\u2019\u00e9conomie qui sied plut\u00f4t bien \u00e0 l\u2019aust\u00e9rit\u00e9 du propos. Ici, l\u2019ampleur se d\u00e9ploie sous le poids des mots, l\u2019image s\u2019axant \u2013 sans pour autant \u00eatre illustrative \u2013 sur la qualit\u00e9 d\u2019un texte dont la litt\u00e9ralit\u00e9 est pleinement assum\u00e9e par la voix off<\/em>. Encore une fois, elle n\u2019a rien \u00e0 voir avec celle d\u2019Out of Africa<\/em> o\u00f9 la force du souvenir prenait le pas sur tout autre sentiment, affectant \u00e0 chaque seconde le regard du spectateur<\/strong>. Critikiat<\/p>\n\n\n\n

Le r\u00e9alisateur (1918-2014)<\/strong><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes dramatiques au th\u00e9\u00e2tre royal de Copenhague, le danois Gabriel Axel rejoint la troupe de Louis Jouvet<\/a> de 1945 \u00e0 1950. Partageant sa vie entre la France et le Danemark, il tourne de nombreux films pour la t\u00e9l\u00e9vision tout en continuant une belle carri\u00e8re th\u00e9atrale, aussi bien comme metteur en sc\u00e8ne que comme acteur<\/em>.<\/p>\n\n\n\n

Durant pr\u00e8s de trente ans, Gabriel Axel r\u00e9alise quelques longs m\u00e9trages dont l’\u00e9cho se limite aux fronti\u00e8res du Danemark, Apr\u00e8s La Mante rouge<\/a> (1967) et Le Joujou ch\u00e9ri<\/a> (1968), pr\u00e9sent\u00e9s \u00e0 Cannes, il conna\u00eet la reconnaissance internationale avec Le Festin de Babette<\/a> (1987), qui remporte l’Oscar du Meilleur film \u00e9tranger.<\/em><\/p>\n\n\n\n

Ce succ\u00e8s lui permet de r\u00e9aliser Christian<\/a>, qui sera pr\u00e9sent\u00e9 \u00e0 Venise, mais lui permet \u00e9galement de travailler avec des com\u00e9diens comme Gabriel Byrne<\/a> (Le Prince de Jutland<\/a>) ou de participer \u00e0 la r\u00e9alisation d’un documentaire regroupant de nombreux cin\u00e9astes \u00e0 travers le monde (Lumi\u00e8re et compagnie<\/a>). En 2001, Gabriel Axel r\u00e9alise Le\u00efla<\/a>, avec M\u00e9lanie Doutey<\/a>, son dernier film.<\/em><\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n\n\n\n

Paroles du r\u00e9alisateur<\/strong><\/p>\n\n\n\n

J’ai eu cinquante-quatre jours de tournage, ce qui est confortable mais n\u00e9cessaire \u00e0 cause d’acteurs \u00e2g\u00e9s qui jouaient au th\u00e9\u00e2tre le soir. L’a\u00een\u00e9 (le pasteur) a quatre-vingt-quatre ans. Il y a sept com\u00e9diens ayant travaill\u00e9 avec Carl Th. Dreyer principalement dans Ordet, Gertrud, Jour de col\u00e8re. Je n’ai pas voulu faire un hommage \u00e0 Dreyer, cela s’est produit presque par hasard. J’ai retrouv\u00e9 ces beaux visages tous diff\u00e9rents qui font passer par le regard, l’intensit\u00e9, la pr\u00e9sence. Ils se compl\u00e8tent. Le g\u00e9n\u00e9ral est interpr\u00e9t\u00e9 par Jarl Kulle, le grand com\u00e9dien de Bergman, notamment de Fanny et Alexandre.\u00a0\u00bb<\/strong><\/p>\n\n\n\n

La pr\u00e9sentatrice C\u00e9cile Gornet<\/strong><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

<\/p>\n\n\n\n

C\u00e9cile Gornet enseigne la philosophie au lyc\u00e9e Henri IV, \u00e0 B\u00e9ziers. Elle pr\u00e9pare une th\u00e8se sur John Ford \u00e0 l’Universit\u00e9 Paris 1 Panth\u00e9on Sorbonne et est membre du cin\u00e9club biterrois (CCB). Elle est l’autrice de l’ouvrage: \u00ab\u00a0L’\u00e9criture de l’histoire au miroir du cin\u00e9ma: Les westerns de John Ford<\/a>\u00ab\u00a0<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Gabriel Axel (1987) Danemark 1h42 avec St\u00e9phane Audran, Bodil Kjer, Birgitte Federspiel 1871 Babette exil\u00e9e de la commune au Danemark, f\u00eate son retour possible en France en pr\u00e9parant un grandiose …<\/p>\n","protected":false},"author":1,"featured_media":2891,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-2848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnales-2023"],"yoast_head":"\n"Le Festin de Babette" samedi 18 novembre 17h15 pr\u00e9sent\u00e9 par C\u00e9cile Gornet<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/07\/09\/le-festin-de-babette-samedi-18-novembre-17h15-presente-par-cecile-gornet\/\" \/>\n<meta property=\"og:locale\" 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