{"id":2840,"date":"2023-07-09T10:35:18","date_gmt":"2023-07-09T08:35:18","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=2840"},"modified":"2025-08-25T22:00:49","modified_gmt":"2025-08-25T20:00:49","slug":"adua-et-ses-compagnes-samedi-18-novembre-14h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/07\/09\/adua-et-ses-compagnes-samedi-18-novembre-14h30\/","title":{"rendered":"\u00ab\u00a0Adua et ses compagnes\u00a0\u00bb samedi 18 novembre 14h30"},"content":{"rendered":"\n<p><strong>Antonio Pietrangelli (1961) Italie 1h45  avec <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=3291.html\">Simone Signoret<\/a>, <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-vivid-cyan-blue-color\">Marcello Mastroianni<\/mark><\/strong>, <strong><a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=1160.html\">Sandra Milo<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=2303.html\">Emmanuelle Riva<\/a>..<\/strong><\/p>\n\n\n\n<p>Apr\u00e8s la fermeture de leur maison close, quatre prostitu\u00e9es d\u00e9sirent ouvrir un restaurant. Mais pour mener \u00e0 bien leur entreprise, elles ont besoin de diverses autorisations et &#8230;..<\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Ce film est une savoureuse madeleine dont le go\u00fbt se situe quelque part entre le drame <a href=\"https:\/\/fr.wikipedia.org\/wiki\/N%C3%A9or%C3%A9alisme_(cin%C3%A9ma)\">n\u00e9o-r\u00e9aliste<\/a> et la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Com%C3%A9die_%C3%A0_l%27italienne\">com\u00e9die italienne<\/a> et dont le f\u00e9minisme sensible rev\u00eat aujourd&rsquo;hui un caract\u00e8re quasi-proph\u00e9tique.&nbsp;\u00bb<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Pietrangeli d\u00e9nonce une r\u00e9alit\u00e9 douloureuse, probl\u00e9matique que connaissent son pays et une partie de sa population. C&rsquo;est ce qui fait qu&rsquo;on le relie g\u00e9n\u00e9ralement, en partie, au courant n\u00e9o-r\u00e9aliste. Mais \u00e0 personne n&rsquo;\u00e9chappe sa dimension de com\u00e9die&nbsp;: certaines situations sont piquantes, plusieurs personnages hauts en couleur &#8211; comme l&rsquo;escroc Piero Silvagni (Marcello Mastroianni) ou le bon Fr\u00e8re Michele -, et les discussions souvent men\u00e9es sur un mode caustique, humoristique.<\/strong><a href=\"https:\/\/www.culturopoing.com\/?author=29\" target=\"_blank\" rel=\"noreferrer noopener\">Enrique <\/a><a href=\"https:\/\/www.culturopoing.com\/?author=29\">SEKNADJE<\/a><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>la prostitution appara\u00eet comme le plus clair r\u00e9sum\u00e9 des rapports de classe et de sexe dans une soci\u00e9t\u00e9 capitaliste et puritaine o\u00f9 hypocrisie morale et exploitation \u00e9conomique vont de pair. Derri\u00e8re la difficile \u00e9mancipation de ces femmes et les obstacles auxquels se confronte leur r\u00e9volte, c\u2019est bien s\u00fbr toute la condition f\u00e9minine de l\u2019\u00e9poque qui est remise en cause avec insolence.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong><em>Adua et ses compagnes&nbsp;<\/em>vaut aussi pour son tempo particulier, sa mani\u00e8re de prendre son temps, propre aux autres films de Pietrangeli qu\u2019on a pu voir. Le cin\u00e9aste sait mettre le drame de c\u00f4t\u00e9 pour m\u00e9nager des pauses et des lignes de fuite dans le r\u00e9cit autant que dans la vie de ses personnages. Sa mise en sc\u00e8ne est \u00e9l\u00e9gamment discr\u00e8te, il privil\u00e9gie les plans longs, \u00e9pousant le rythme nonchalant de la vie avant que le tragique resurgisse parfois brutalement. Un charme \u00e9vident se d\u00e9gage de ce film baign\u00e9 de soleil et impr\u00e9gn\u00e9 par son \u00e9poque, notamment \u00e0 travers ses musiques et son formidable casting : Simone Signoret, Sandra Milo, Emmanuelle Riva (dans un parfait contre-emploi de pute volubile), Marcello Mastroianni\u2026 Mais il est aussi travers\u00e9 par une violence sourde, toujours aussi saisissante. <\/strong><a href=\"http:\/\/www.liberation.fr\/auteur\/17349-marcos-uzal\">Marcos Uzal<\/a><\/p>\n\n\n\n<p class=\"has-pale-cyan-blue-color has-text-color\"><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Impr\u00e9gn\u00e9e d\u2019une esth\u00e9tique n\u00e9or\u00e9aliste, la mise en sc\u00e8ne s\u2019attache \u00e0 d\u00e9crire sans fioriture la duret\u00e9 du quotidien de ses personnages f\u00e9minins. Magnifi\u00e9s par une belle photographie&nbsp;toute en contrastes noirs et blancs, les d\u00e9cors offrent une repr\u00e9sentation saisissante de l\u2019Italie populaire d\u2019apr\u00e8s-guerre, in\u00e9gale face au miracle \u00e9conomique qui se dessine apr\u00e8s des ann\u00e9es de privation<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Le r\u00e9alisateur<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color\"><em>Antonio Pietrangeli, qui est n\u00e9 en 1919, a exerc\u00e9 quelque temps en tant que m\u00e9decin, avant de se tourner vers le cin\u00e9ma. Il commence par la critique, au d\u00e9but des ann\u00e9es quarante. et collabore \u00e0 de nombreuses revues de cin\u00e9ma<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\">. <em>Il est de ceux qui, par leurs textes, annoncent et pr\u00e9parent le N\u00e9o-r\u00e9alisme. <br>En 1942, Pietrangeli entame une carri\u00e8re de sc\u00e9nariste et co-sc\u00e9nariste&nbsp;: il travaille d\u2019abord pour Visconti, sur Ossessione (1942). Puis sur La Terre tremble (1948). Ses collaborations sont nombreuses et s\u2019\u00e9tendent jusqu\u2019en 1961. Il a l\u2019occasion de participer \u00e0 l\u2019\u00e9laboration de deux films de Rossellini&nbsp;: Europe \u201951 (1952) et O\u00f9 est la libert\u00e9&nbsp;? (1954).<br>Il se lance dans la r\u00e9alisation en 1953, avec Du&nbsp;Soleil dans les yeux (1953). Il met en sc\u00e8ne 11 longs m\u00e9trages et deux films \u00e0 sketches r\u00e9alis\u00e9s par plusieurs cin\u00e9astes. En fait, il ne peut terminer son dernier film, car il se noie accidentellement durant le tournage, en 1968.<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\"><em>\u00c0 travers plusieurs de ses \u0153uvres, Adua et ses compagnes (1960), La Fille de Parme (1963), Je la connaissais bien (1965), Petrangeli s\u2019int\u00e9resse \u00e0 la condition de la femme. Il milite filmiquement, en quelque sorte, pour son&nbsp;\u00e9mancipation. Lui, qui a appartenu au Parti Communiste Italien et qui ne manque pas de glisser un clin d\u2019oeil \u00e0 cet engagement politique dans Le Soleil dans les yeux.<br>Une monographie lui a d\u2019ailleurs \u00e9t\u00e9 consacr\u00e9e, en Italie, en 2015, qui porte le titre significatif de Antonio Pietrangeli \u2013 Le cin\u00e9aste qui aimait les femmes (\u00c9d. Sabinae, Rome).<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antonio Pietrangelli (1961) Italie 1h45 avec Simone Signoret, Marcello Mastroianni, Sandra Milo, Emmanuelle Riva.. Apr\u00e8s la fermeture de leur maison close, quatre prostitu\u00e9es d\u00e9sirent ouvrir un restaurant. Mais pour mener &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2901,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32],"tags":[],"class_list":["post-2840","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnales-2023"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Adua et ses compagnes&quot; samedi 18 novembre 14h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2023\/07\/09\/adua-et-ses-compagnes-samedi-18-novembre-14h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Adua et ses compagnes&quot; samedi 18 novembre 14h30\" \/>\n<meta property=\"og:description\" content=\"Antonio Pietrangelli (1961) Italie 1h45 avec Simone Signoret, Marcello Mastroianni, Sandra Milo, Emmanuelle Riva.. 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