{"id":2577,"date":"2022-11-24T15:35:52","date_gmt":"2022-11-24T14:35:52","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=2577"},"modified":"2025-08-25T22:08:27","modified_gmt":"2025-08-25T20:08:27","slug":"pierrot-le-fou-lundi-6-fevrier-20h30-hommage-a-jean-pierre-godard","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2022\/11\/24\/pierrot-le-fou-lundi-6-fevrier-20h30-hommage-a-jean-pierre-godard\/","title":{"rendered":"\u00ab\u00a0Pierrot le fou\u00a0\u00bb lundi 6 f\u00e9vrier 20h30 hommage \u00e0 Jean Luc Godard"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=113.html\">Jean-Luc Godard<\/a> (1965) france 1h55 Avec <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=114.html\">Jean-Paul Belmondo<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=271.html\">Anna Karina<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=425.html\">Samuel Fuller<\/a><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\"><strong>Ferdinand, mari\u00e9 \u00e0 une femme riche, s&rsquo;ennuie. Au cours d&rsquo;une soir\u00e9e, il rencontre Marianne, une \u00e9tudiante . D\u00e9laissant son \u00e9pouse, il s&rsquo;entiche de la belle et s&rsquo;installe avec elle. M\u00eal\u00e9e \u00e0 des affaires louches, Marianne contraint le couple \u00e0 entrer dans la clandestinit\u00e9.. .<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-vivid-red-color has-text-color\"><strong>Pierrot le Fou est avant tout un film qui traite de l\u2019impossibilit\u00e9 d\u2019un couple \u00e0 regarder dans la m\u00eame direction<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>A l\u2019image de son h\u00e9ros qui cherche un peu de beaut\u00e9 dans \u00ab un monde d\u2019abrutis \u00bb, Godard construit son film sur un antagonisme constant entre le d\u00e9sordre et la gr\u00e2ce, entre la violence et la s\u00e9r\u00e9nit\u00e9. D\u2019un tournage qu\u2019on imagine volontiers chaotique, il tire une \u0153uvre foisonnante, d\u2019une rare libert\u00e9 de ton, o\u00f9 tout semble pouvoir arriver.<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Bien avant les tentatives de d\u00e9constructions narratives d\u2019un Tarantino, Godard nous projette dans un spectacle bariol\u00e9 et sans cesse d\u00e9routant, o\u00f9 l\u2019on peut prendre son petit-d\u00e9jeuner \u00e0 c\u00f4t\u00e9 d\u2019un mort , ou bien croiser Raymond Devos criant le d\u00e9go\u00fbt que lui inspire sa femme dans un petit port d\u00e9sert. Fac\u00e9ties d\u2019un cin\u00e9aste en pleine possession de son art, qui filme ce qui lui vient \u00e0 l\u2019esprit et jette \u00e0 l\u2019\u00e9cran ce qui lui chante, comme autant de coups de pinceau. De l\u00e0 na\u00eet un jeu perp\u00e9tuel avec le spectateur, qui se voit interpell\u00e9 par les personnages au d\u00e9tour d\u2019une conversation amoureuse, pris \u00e0 partie, les yeux dans les yeux, par Marianne lorsqu\u2019elle r\u00e9clame le droit de vivre et, par l\u00e0 m\u00eame, constamment invit\u00e9 \u00e0 s\u2019impliquer \u00e9motionnellement dans l\u2019exp\u00e9rience qui se d\u00e9roule devant lui. S\u2019il ne perd jamais de vue l\u2019histoire qu\u2019il veut nous raconter (ou plut\u00f4t les histoires, drame intime, intrigue criminelle et constat sur l\u2019\u00e9poque s\u2019entrem\u00ealant sans cesse), Godard con\u00e7oit son film comme un fracas d\u2019\u00e9motions contradictoires, du rire au d\u00e9sespoir le plus d\u00e9chirant, pour aboutir \u00e0 un morceau d\u2019\u00e9motion pure. Plans de nature impressionnistes et gicl\u00e9es de violence foudroyante se succ\u00e8dent, li\u00e9s entre eux par une musique aux accents tant\u00f4t path\u00e9tiques ou survolt\u00e9s. Port\u00e9 par le charisme de ses interpr\u00e8tes, et notamment par un Jean-Paul Belmondo qui sait apporter une sensualit\u00e9 et une dynamique physique remarquables \u00e0 son personnage,<\/strong>  cine classik<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\">J<strong>ean-Luc Godard (1930-2022)<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color\"><em> N\u00e9 \u00e0 Paris il est de nationalit\u00e9 suisse, . d\u00e9but des ann\u00e9es 50 il \u00e9tudie l\u2019\u00e0 la Sorbonne. Il fr\u00e9quente assidument le \u00abcin\u00e9-club\u00bb et les cin\u00e9ma dans le Quartier latin de Paris. Il noue des amiti\u00e9s avec , Fran\u00e7ois Truffaut, Jacques Rivette et \u00c9ric Rohmer, Andr\u00e9 Bazin. &#8230;Lorsque ce dernier fonde les \u00abCahiers du cin\u00e9ma\u00bb il est un des premiers \u00e0 y \u00e9crire. .Son premier long m\u00e9trage, <strong>\u00c0 bout de souffle<\/strong>, sera le film phare de la Nouvelle Vague. Il r\u00e9invente la forme narrative: <strong>Une femme est une femme, Le Petit Soldat <\/strong>(censur\u00e9 car il abordait ouvertement la Guerre d\u2019Alg\u00e9rie), <strong>Les Carabiniers, Le M\u00e9pris, Pierrot le Fou, Alphaville<\/strong>, <strong>Masculin-F\u00e9minin<\/strong>. En mai 1968, Godard est un militant actif son cin\u00e9ma devient un moyen de lutter contre le syst\u00e8me:<strong>La Chinoise et Week-End<\/strong><\/em><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color\"><em>A partir de 1973, la vid\u00e9o va lui permettre de parcourir seul toutes les \u00e9tapes de la cha\u00eene cr\u00e9ation-production. Il quitte Paris et s\u2019installe \u00e0 Grenoble o\u00f9 il travaille avec Anne-Marie Mi\u00e9ville .Il s\u2019installe ensuite en Suisse. Ses productions de l\u2019\u00e9poque sont: <strong>Numero deux, Ici et ailleurs<\/strong>, <strong>&#8230;<\/strong>. En 1980, il revient \u00e0 un cin\u00e9ma plus grand public qui attire des acteurs de renom.  <strong>Sauve qui peut la vie <\/strong>(1980, avec Isabelle Huppert et Jacques Dutronc), <strong>Passion <\/strong>(1982), <strong>Detective <\/strong>(en 1985, avec Johnny Hallyday) <strong><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nouvelle_Vague_(film)\">Nouvelle Vague<\/a> <\/strong>(1990) avec <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Alain_Delon\">Alain Delon<\/a> et obtient le Lion d\u2019or au Festival de Venise pour <strong>Pr\u00e9nom Carmen<\/strong>. Mais ses films continuent \u00e0 faire scandale: <strong>Je vous salue Marie <\/strong>est censur\u00e9 en France et dans le monde. Dans les ann\u00e9es 90, Godard fait un retour \u00e0 l\u2019exp\u00e9rimentation: <strong>JLG\/JLG, For Ever Mozart, Histoire(s) du cin\u00e9ma <\/strong>(une vision film\u00e9e et personnelle de l\u2019histoire du cin\u00e9ma) et <strong>Eloge de l\u2019amour<\/strong>.  Apr\u00e8s <strong>Socialisme<\/strong> il exp\u00e9rimente le cin\u00e9ma en 3D.<\/em><\/p>\n\n\n\n<p class=\"has-black-color has-text-color\"><em><strong>Il sera couvert d&rsquo;honneur jusqu&rsquo;\u00e0 la fin de sa vie, ses derniers films rencontrent un public restreint bien qu&rsquo;ils soient l&rsquo;objet d\u2019ex\u00e9g\u00e8ses et de commentaires divers. Il est une r\u00e9f\u00e9rence dans le milieu cin\u00e9phile malgr\u00e9 une pens\u00e9e jug\u00e9e parfois absconse.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Luc Godard (1965) france 1h55 Avec Jean-Paul Belmondo, Anna Karina, Samuel Fuller Ferdinand, mari\u00e9 \u00e0 une femme riche, s&rsquo;ennuie. Au cours d&rsquo;une soir\u00e9e, il rencontre Marianne, une \u00e9tudiante . D\u00e9laissant &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2598,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[29],"tags":[],"class_list":["post-2577","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2022-2023"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Pierrot le fou&quot; lundi 6 f\u00e9vrier 20h30 hommage \u00e0 Jean Luc Godard<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2022\/11\/24\/pierrot-le-fou-lundi-6-fevrier-20h30-hommage-a-jean-pierre-godard\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Pierrot le fou&quot; lundi 6 f\u00e9vrier 20h30 hommage \u00e0 Jean Luc Godard\" \/>\n<meta property=\"og:description\" content=\"Jean-Luc Godard (1965) france 1h55 Avec Jean-Paul Belmondo, Anna Karina, Samuel Fuller Ferdinand, mari\u00e9 \u00e0 une femme riche, s&rsquo;ennuie. 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