{"id":2463,"date":"2022-09-26T17:13:16","date_gmt":"2022-09-26T15:13:16","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=2463"},"modified":"2025-08-25T21:53:48","modified_gmt":"2025-08-25T19:53:48","slug":"yuli-samedi-19-novembre-14h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2022\/09\/26\/yuli-samedi-19-novembre-14h30\/","title":{"rendered":"\u00ab\u00a0Yuli\u00a0\u00bb samedi 19 novembre 14h30 pr\u00e9c\u00e9d\u00e9 d&rsquo;une virgule dans\u00e9e par les \u00e9coles de danse de la ville"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong>Iciar Bollain  (2019) Cuba, Espagne  1h44 Avec <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=220168.html\">Carlos Acosta<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=856645.html\">Santiago Alfonso<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=834674.html\">Kevyin Mart\u00ednez<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color wp-block-paragraph\"><strong>Un gamin cubain f\u00e9ru de foot et de hip-hop devient une \u00e9toile internationale du ballet\u2026 Le danseur Carlos Acosta joue sa propre histoire dans ce biopic sensible<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color wp-block-paragraph\"><strong>La danse fait avancer l\u2019action \u00e0 la mani\u00e8re d\u2019une com\u00e9die musicale et apporter son authenticit\u00e9 au film, qui ne sombre jamais dans le pathos tout en racontant avec sensibilit\u00e9 la difficult\u00e9 de vivre \u00e0 Cuba, mais \u00e9galement loin de chez soi<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>On est emport\u00e9 par la puissance qui \u00e9mane des s\u00e9quences de danse, chor\u00e9graphi\u00e9es par Maria Rovira et ex\u00e9cut\u00e9es par des danseurs professionnels de premier plan.&nbsp;Yuli&nbsp;explore avec sensibilit\u00e9 la contradiction avec laquelle vit Acosta depuis l\u2019enfance. La famille, surtout la figure du p\u00e8re (Santiago Alfonso), occupe une place primordiale pour le danseur, tiraill\u00e9 entre son art et ses origines. Biopic lumineux et optimiste, port\u00e9 par une passion d\u00e9chirante,&nbsp;<em>Yuli<\/em> retrace somptueusement le parcours hors du commun de cet enfant au talent grandiose, des rues cubaines aux plus grandes compagnies de ballet du monde.<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color wp-block-paragraph\"><strong>Prix du sc\u00e9nario au Festival de San Sebastian 2018, nomin\u00e9 par 3 fois aux Goyas, ce biopic espagnol sign\u00e9 Ic\u00edar Bolla\u00edn (\u00ab\u00a0<a href=\"https:\/\/www.abusdecine.com\/critique\/olivier-l\/\">L&rsquo;Olivier<\/a>\u00ab\u00a0, \u00ab\u00a0<a href=\"https:\/\/www.abusdecine.com\/critique\/meme-la-pluie\/\">M\u00eame la pluie<\/a>\u00ab\u00a0) est un v\u00e9ritable exercice de finesse. Histoire du danseur \u00e9toile cubain Carlos Acosta, le film se construit dans une alternance intelligente et claire, entre la vie du jeune homme (son enfance, puis son adolescence\u2026) et des flashs-forward sur la pr\u00e9paration d\u2019un spectacle auto-biographique, qui implique le v\u00e9ritable danseur dans son propre r\u00f4le. La r\u00e9alisatrice apporte le plus grand soin aux glissements d\u2019une \u00e9poque \u00e0 l\u2019autre, par souvenirs interpos\u00e9s, \u00e9vocations dans les gestes des danseurs pour un retour en arri\u00e8re, ou simples transitions vers un \u00e9l\u00e9ment de r\u00e9p\u00e9tition pour aller de l\u2019avant.<\/strong><\/p>\n\n\n\n<p class=\"has-black-color has-text-color wp-block-paragraph\"><strong>Petit \u00e0 petit se d\u00e9gage une r\u00e9elle \u00e9motion, alors que sont \u00e9voqu\u00e9s en toile de fond, les diff\u00e9rentes situations politiques et \u00e9conomiques du pays (rapports contraignants avec l\u2019URSS, embargo US, fuites bateaux vers les \u00c9tats-Unis, fin de l\u2019aide russe et la famine qui l\u2019accompagne\u2026), la question de la libert\u00e9 de choix et de mouvement \u00e9tant au c\u0153ur de ce destin hors du commun. Contraint \u00e0 l\u2019exil, doutant de son propre talent, effray\u00e9 par la rupture potentielle avec ses proches et son pays, le personnage exprime autant sa solitude au travers de souvenirs parfois magnifi\u00e9s ou r\u00eav\u00e9s, et donc r\u00e9parateurs, qu\u2019avec les num\u00e9ros de danse qu\u2019il dirige. Olivier Bachelard<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Ic\u00edar Bolla\u00edn<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large\"><img decoding=\"async\" src=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2022\/09\/iciar-bollain.jpg\" alt=\"\" class=\"wp-image-2465\"\/><\/figure>\n<\/div>\n\n\n<p class=\"has-drop-cap has-black-color has-text-color wp-block-paragraph\"><em>a d\u00e9but\u00e9 sa carri\u00e8re dans le cin\u00e9ma, en tant qu\u2019actrice, dans le film de Victor Erice, El Sur (1983) \u00e0 l\u2019\u00e2ge de 16 ans. Mais c\u2019est sans aucun doute \u00e0 partir de sa rencontre avec <strong>Ken Loach<\/strong>, lors de sa collaboration au film Land and Freedom \/ Tierra y Libertad, en tant qu\u2019actrice et assistante du r\u00e9alisateur qu\u2019elle va donner une place pr\u00e9pond\u00e9rante \u00e0 la r\u00e9alisation. Ken Loach et elle partagent la m\u00eame volont\u00e9 de donner la parole \u00e0 ceux que l\u2019on veut faire taire et de lutter contre l\u2019injustice sociale \u00e0 travers leur \u0153uvre, de film en film. Elle est la compagne du sc\u00e9nariste de Ken Loach, <strong>Paul Laverty <\/strong>qui obtenu pour Yuli le prix du sc\u00e9nario \u00e0 San Sebasti\u00e1n. Ensemble, on leur doit Ne dis rien en 2003, sur une femme battue, M\u00eame la pluie en 2010, sur le tournage d\u2019un film en Bolivie et L\u2019olivier en 2016.<\/em><\/p>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\"><strong>Paroles de Carlos Acosta<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-black-color has-text-color wp-block-paragraph\">J\u2019ai suivi des cours de danse classique d\u00e8s l\u2019\u00e2ge de 9 ans. Dans mon quartier, mes copains me traitaient de p\u00e9d\u00e9. Dans ce milieu, aussi pauvre que machiste, il aurait \u00e9t\u00e9 normal que mon p\u00e8re voie la danse comme un truc d\u2019homosexuels. Au contraire, c\u2019est lui qui m\u2019a pouss\u00e9 \u00e0 devenir danseur.<br>\u00ab&nbsp;Quand j\u2019ai \u00e9t\u00e9 expuls\u00e9 du cours de danse pour indiscipline, j\u2019ai \u00e9t\u00e9 envoy\u00e9 dans un internat de province. L\u00e0, je me suis senti abandonn\u00e9 de tous. J\u2019\u00e9tais le seul gamin que ses parents ne venaient jamais voir. La danse est devenue mon refuge, mon salut.<br>\u00ab&nbsp;Le don, il vous est donn\u00e9 \u00e0 la naissance, mais la force pour le d\u00e9velopper, c\u2019est la douleur qui vous la donne. La douleur de l\u2019\u00e2me, et la douleur physique. Dans la danse, la douleur physique sert \u00e0 fa\u00e7onner le corps, afin qu\u2019il exprime ce qu\u2019on veut. Je ne souhaite \u00e0 personne d\u2019endurer cette souffrance, ce sentiment de solitude. Mais c\u2019est cette souffrance qui a fait na\u00eetre en moi la col\u00e8re et la passion.<br>\u00ab&nbsp;L\u2019\u00e9toile de ma vie, c\u2019est mon p\u00e8re. Sans lui, je serais devenu un voyou. La plupart de mes amis de Los Pinos o\u00f9 je suis n\u00e9 ont quitt\u00e9 Cuba sur un radeau, les autres sont en prison. Voil\u00e0 \u00e0 quoi j\u2019\u00e9tais destin\u00e9. Revivre mon pass\u00e9, le jouer et le danser pour ce film, a \u00e9t\u00e9 une exp\u00e9rience intense, douloureuse et apaisante. \u00bb<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Iciar Bollain (2019) Cuba, Espagne 1h44 Avec Carlos Acosta, Santiago Alfonso, Kevyin Mart\u00ednez Un gamin cubain f\u00e9ru de foot et de hip-hop devient une \u00e9toile internationale du ballet\u2026 Le danseur &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2467,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30],"tags":[],"class_list":["post-2463","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnales-2022"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Yuli&quot; samedi 19 novembre 14h30 pr\u00e9c\u00e9d\u00e9 d&#039;une virgule dans\u00e9e par 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