{"id":2011,"date":"2020-11-01T07:48:26","date_gmt":"2020-11-01T06:48:26","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=2011"},"modified":"2025-08-25T17:56:37","modified_gmt":"2025-08-25T15:56:37","slug":"comrades-lundi-17-mai-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/11\/01\/comrades-lundi-17-mai-20h30\/","title":{"rendered":"\u00ab\u00a0Comrades\u00a0\u00bb Lundi 17 mai 20h30"},"content":{"rendered":"\n<p>(<strong>1986)  Grande Bretagne 3h03 De <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=9443.html\">Bill Douglas<\/a> Avec <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=51397.html\">Robin Soans<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=10339.html\">Imelda Staunton<\/a>, <a href=\"https:\/\/www.allocine.fr\/personne\/fichepersonne_gen_cpersonne=51398.html\">William Gaminara<\/a><\/strong><\/p>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>Au sud de l&rsquo;Angleterre, en 1834. Alors qu&rsquo;ils vivent d\u00e9j\u00e0 \u00e0 la limite de la mis\u00e8re, comme beaucoup d&rsquo;autres paysans du Dorset, Trois d&rsquo;entre eux apprennent que , le propri\u00e9taire des terres qu&rsquo;ils exploitent, se dispose \u00e0 r\u00e9duire encore leurs pitoyables gages. Ils d\u00e9cident de r\u00e9agir<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color has-normal-font-size\"><strong>Comrades\u00a0\u00bb demeure une \u0153uvre attachante, qui combine l&rsquo;\u00e9vocation historique tr\u00e8s humanis\u00e9e, avec le plaisir du jeu et des masques ; un incontournable du cin\u00e9ma anglais<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Au d\u00e9but<\/strong>,&nbsp;<strong><em>Comrades<\/em>&nbsp;d\u00e9concerte\u2009: presque d\u00e9nu\u00e9 de dialogues, il se pr\u00e9sente comme la chronique d\u2019une vie villageoise \u00e2pre, sans choisir un point de vue ni un h\u00e9ros. Ensuite, m\u00eame si le portrait de groupe demeure la r\u00e8gle, George Loveless appara\u00eet davantage comme le leader et le r\u00e9cit s\u2019ancre autour de lui.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Sa bont\u00e9 inonde l\u2019\u00e9cran et touche en plein c\u0153ur. Apr\u00e8s l\u2019unit\u00e9 de lieu du village, vient l\u2019\u00e9clatement des endroits o\u00f9 parviennent les six hommes\u2009; on suit avec intensit\u00e9 leurs destins contrast\u00e9s.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Avec un sens extraordinaire de la couleur, Bill Douglas a compos\u00e9 une \u0153uvre po\u00e9tique dont les images saisissent avec autant de force picturale les champs du Dorset, les int\u00e9rieurs mis\u00e9rables et les paysages australiens \u00e9cras\u00e9s de chaleur<\/strong>.La Croix<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Bill Douglas frappe encore par la pr\u00e9cision de ses cadrages&nbsp;: leur composition limpide r\u00e9pond \u00e0 un discours politique tr\u00e8s frontal (voir la s\u00e9cheresse de ces plans o\u00f9 les insurg\u00e9s soutiennent le regard de leurs ma\u00eetres et leur adressent face cam\u00e9ra un geste de d\u00e9fi). Il confirme \u00e9galement son aisance pour le d\u00e9coupage, isolant souvent un visage dans le groupe, marquant son go\u00fbt pour le d\u00e9tail, ou provoquant certains effets de rupture (ainsi le rire incongru d\u2019une enfant qui vient trouer le silence apr\u00e8s le chant m\u00e9lancolique d\u2019une jeune femme au cours d\u2019une veill\u00e9e). Bill Douglas passe avec succ\u00e8s \u00e0 la couleur et porte une attention constante \u00e0 l\u2019\u00e9clairage&nbsp;: sa peinture du monde rural, baign\u00e9e de clair-obscur, de lumi\u00e8res jaunes et de tons fatigu\u00e9s, \u00e9voque par endroits les tableaux de Jean-Fran\u00e7ois Millet<\/strong>. Critikat<\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Le cin\u00e9aste parvient \u00e0 \u00e9viter le pr\u00eachi-pr\u00eacha r\u00e9volutionnaire gr\u00e2ce \u00e0 un superbe \u00ab fil rouge \u00bb po\u00e9tique. L&rsquo;\u00e9pop\u00e9e des \u00ab camarades \u00bb est scand\u00e9e par le r\u00e9cit d&rsquo;un montreur d&rsquo;ombres itin\u00e9rant, interpr\u00e9t\u00e9 par Alex Norton. A chacune de ses apparitions correspond une nouvelle machine optique qui pr\u00e9figure l&rsquo;arriv\u00e9e du cin\u00e9ma (diaporama, lanterne magique, appareil photo tr\u00e8s exp\u00e9rimental&#8230;). Magnifique fa\u00e7on de montrer que l&rsquo;art accompagne l&rsquo;humanit\u00e9 dans son r\u00eave d&rsquo;une vie meilleure et sublime cet id\u00e9al de fraternit\u00e9<\/strong>. Samuel Douhaire Telerama<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Bill Douglas (<a href=\"https:\/\/fr.wikipedia.org\/wiki\/1934\">1934<\/a> &#8211;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/1991\">1991<\/a>)<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-very-dark-gray-color has-text-color\"><em>N\u00e9 dans les faubourgs d&rsquo;<a href=\"https:\/\/fr.wikipedia.org\/wiki\/%C3%89dimbourg\">\u00c9dimbourg<\/a>, il est \u00e9lev\u00e9 par sa grand-m\u00e8re maternelle, fils ill\u00e9gitime d&rsquo;un mineur, Bill Douglas exerce lui-m\u00eame ce m\u00e9tier pendant toute son adolescence. De 1968 \u00e0 1970, il \u00e9tudie \u00e0 la London Film School ;.De 1972 \u00e0 1976, Douglas entreprend la conception d&rsquo;une trilogie autobiographique compos\u00e9e des films suivants : My Childhood (1972), My Ain Folk (1974) et My Way Home (1976). . Sans nostalgie aucune, par un cheminement quasi documentaire et le recours \u00e0 une photo contrast\u00e9e, le cin\u00e9aste nous restitue, de mani\u00e8re \u00e0 la fois brute et pr\u00e9cise, ce que sa m\u00e9moire a retenu d&rsquo;une enfance difficile v\u00e9cue dans la solitude et le manque d&rsquo;affection. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(1986) Grande Bretagne 3h03 De Bill Douglas Avec Robin Soans, Imelda Staunton, William Gaminara Au sud de l&rsquo;Angleterre, en 1834. Alors qu&rsquo;ils vivent d\u00e9j\u00e0 \u00e0 la limite de la mis\u00e8re, &#8230;<\/p>\n","protected":false},"author":1,"featured_media":2026,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-2011","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2020-2021"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Comrades&quot; Lundi 17 mai 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/11\/01\/comrades-lundi-17-mai-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Comrades&quot; Lundi 17 mai 20h30\" \/>\n<meta property=\"og:description\" content=\"(1986) Grande Bretagne 3h03 De Bill Douglas Avec Robin Soans, Imelda Staunton, William Gaminara Au sud de l&rsquo;Angleterre, en 1834. 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