{"id":1920,"date":"2020-10-20T21:33:49","date_gmt":"2020-10-20T19:33:49","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=1920"},"modified":"2025-08-25T15:58:20","modified_gmt":"2025-08-25T13:58:20","slug":"teheran-tabou-lundi-1er-fevrier-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/10\/20\/teheran-tabou-lundi-1er-fevrier-20h30\/","title":{"rendered":"\u00ab\u00a0T\u00e9h\u00e9ran tabou\u00a0\u00bb lundi 1er f\u00e9vrier 20h30"},"content":{"rendered":"\n

(2017) animation 1h36<\/strong>,en partenariat avec Objectif sud, un film de Ali Soozandeh<\/strong><\/p>\n\n\n\n

T\u00e9h\u00e9ran : une soci\u00e9t\u00e9 schizophr\u00e8ne dans laquelle le sexe, la corruption, la prostitution et la drogue coexistent avec les interdits religieux. Dans cette m\u00e9tropole grouillante, trois femmes de caract\u00e8re et un jeune musicien tentent de s\u2019\u00e9manciper en brisant les tabous<\/strong><\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

En coulisses de l\u2019obligatoire mise en sc\u00e8ne se r\u00e9v\u00e8lent des espaces de libert\u00e9 mais \u00e9galement de nouvelles formes d\u2019asservissement. Derri\u00e8re le rideau, les in\u00e9galit\u00e9s sociales apparaissent plus clairement entre ceux qui ont les moyens de la corruption et les autres tandis que la phallocratie persiste, s\u2019appuyant sans cesse sur la menace d\u2019une d\u00e9nonciation, toujours plus terrible pour les femmes. N\u2019h\u00e9sitant pas \u00e0 jouer sur tous les tons, de la noirceur la plus \u00e9paisse \u00e0 la l\u00e9g\u00e8ret\u00e9 (m\u00eame si les traits se r\u00e9v\u00e8lent parfois un peu grossiers lorsque le film tente d\u2019\u00e9mouvoir), Soozandeh fait ainsi de son T\u00e9h\u00e9ran tabou<\/em> bien plus qu\u2019une peinture sociale de l\u2019Iran contemporain. Par son jeu d\u2019\u00e9chelles autour des proc\u00e9d\u00e9s de dissimulation qui se r\u00e9percutent sur les diff\u00e9rentes strates d\u2019une soci\u00e9t\u00e9, le film offre un regard sur des strat\u00e9gies de survie sociale que l\u2019on retrouve bien au-del\u00e0 de son ancrage g\u00e9ographique<\/strong>. Critikat<\/p>\n\n\n\n

Le myst\u00e8re qui flotte autour de ces personnages contribue \u00e0 l\u2019efficacit\u00e9 du sc\u00e9nario puisque la part d\u2019ombre de chacun n\u2019est d\u00e9voil\u00e9e que progressivement, jusqu\u2019\u00e0 une ultime r\u00e9v\u00e9lation, aussi inattendue que tragique. Ali Soozandeh parvient ainsi \u00e0 maintenir l\u2019int\u00e9r\u00eat de son spectateur jusqu\u2019au bout et le surprend par un final vertigineux, dans tous les sens du terme. Cette ma\u00eetrise du suspense est d\u2019autant plus remarquable que le r\u00e9alisateur signe avec T\u00e9h\u00e9ran Tabou<\/em> son premier long-m\u00e9trage.<\/strong> Sophie Yavari<\/a><\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

A croire que le coup d\u2019\u00e9clat, en 2008, de Valse avec Bachir <\/em>d\u2019Ari Folman – film tr\u00e8s admir\u00e9 par Soozandeh et dont T\u00e9h\u00e9ran tabou<\/em> partage la veine esth\u00e9tique et l\u2019ambition critique – n\u2019est pas venu \u00e0 bout des vieux r\u00e9flexes. Heureuse ironie : c\u2019est justement le choix de l\u2019animation, plus pr\u00e9cis\u00e9ment de la technique choisie, qui suscite aujourd\u2019hui la curiosit\u00e9, nimbe le film d\u2019une certaine po\u00e9sie et l\u2019emp\u00eache de s\u2019enfermer dans son principal d\u00e9faut – celui d\u2019un pamphlet voulu extr\u00eamement corrosif, au risque de la d\u00e9monstration permanente, dont la charge transpara\u00eet presque trop frontalement dans chaque situation. Le tournage en Iran \u00e9tant impossible, Ali Soozandeh a en fait opt\u00e9 pour l\u2019animation en rotoscopie, apr\u00e8s des essais en technique 3D et en marionnettes. Des acteurs europ\u00e9ens d\u2019origine iranienne venus d\u2019Allemagne, de Suisse ou d\u2019Autriche ont \u00e9t\u00e9 film\u00e9s sur fond vert en prises de vues r\u00e9elles puis redessin\u00e9s. L\u2019esth\u00e9tique m\u00eale ainsi r\u00e9alisme et distanciation, induit un \u00e9cart, un \u00e9loignement, et agit finalement comme la m\u00e9taphore du regard que le r\u00e9alisateur pose aujourd\u2019hui sur son pays natal. Comme un rappel permanent mais pudique de son histoire.<\/strong> \u00c8ve Beauvallet<\/a> <\/p>\n\n\n\n

L’interview<\/strong><\/p>\n\n\n\n

Parlez-nous de votre relation avec l\u2019Iran.<\/strong><\/p>\n\n\n\n


Je suis n\u00e9 en Iran et j\u2019ai v\u00e9cu l\u00e0-bas jusqu\u2019\u00e0 mes 25 ans. J\u2019habite en Allemagne depuis 1995. Je suis le seul de ma famille \u00e0 vivre \u00e0 l\u2019\u00e9tranger. J\u2019avais 9ans lors de la r\u00e9volution islamique. J\u2019en ai vraiment ressenti l\u2019impact quand les filles et les gar\u00e7ons ont
soudain \u00e9t\u00e9 s\u00e9par\u00e9s \u00e0 l\u2019\u00e9cole.<\/p>\n\n\n\n

Pourriez-vous d\u00e9crypter <\/strong>le contexte social de l\u2019Iran d\u2019aujourd\u2019hui et d\u00e9crire ces tabous<\/strong> auxquels le titre du film fait r\u00e9f\u00e9rence?<\/strong><\/p>\n\n\n\n


Briser les tabous, c\u2019est protester. En Iran, les prohibitions juridiques et les restrictions morales fa\u00e7onnent le quotidien. Mais, d\u00e8s que la sexualit\u00e9 est r\u00e9glement\u00e9e, les gens trouvent toujours comment contourner les interdits. \u00c0 ce jeu-l\u00e0, les Iraniens
se montrent tr\u00e8s cr\u00e9atifs. L\u2019absence de libert\u00e9 les pousse \u00e0 avoir une double vie, un double standard de valeurs. Dans leur vie sociale, ils font preuve d\u2019une aust\u00e9rit\u00e9 de fa\u00e7ade. Dans leur vie priv\u00e9e, le sexe, l\u2019alcool, les drogues sont parfois sans limites.<\/p>\n\n\n\n

Quel est le r\u00f4le des femmes dans la soci\u00e9t\u00e9<\/strong>
contemporaine?<\/strong><\/p>\n\n\n\n


Les repr\u00e9sentations que les Occidentaux se font de l\u2019Iran sont toujours du domaine du clich\u00e9. Ce sont des st\u00e9r\u00e9otypes qui vont de l\u2019exotisme des Mille et Une Nuits, \u00e0 la f\u00e9rocit\u00e9 du r\u00e9gime islamique, en passant par la menace nucl\u00e9aire. Mais la r\u00e9alit\u00e9 qu\u2019on voit dans les rues de T\u00e9h\u00e9ran est bien plus diverse. Les femmes sont souvent plus \u00e9duqu\u00e9es que les hommes et ont un r\u00f4le plus visible dans la vie quotidienne que dans d\u2019autres pays islamiques, comme l\u2019Arabie Saoudite. Il n\u2019y a pas qu\u2019un seul type de femme moderne
iranienne. Cela va des fondamentalistes religieuses aux f\u00e9ministes occidentalis\u00e9es. Ces derni\u00e8res n\u2019ont aucun moyen de s\u2019exprimer en public. Dans ce jeu de vertus de la soci\u00e9t\u00e9 iranienne, ce sont elles qui souffrent le plus.<\/p>\n","protected":false},"excerpt":{"rendered":"

(2017) animation 1h36,en partenariat avec Objectif sud, un film de Ali Soozandeh T\u00e9h\u00e9ran : une soci\u00e9t\u00e9 schizophr\u00e8ne dans laquelle le sexe, la corruption, la prostitution et la drogue coexistent avec …<\/p>\n","protected":false},"author":1,"featured_media":1930,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1920","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2020-2021"],"yoast_head":"\n"T\u00e9h\u00e9ran tabou" lundi 1er f\u00e9vrier 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/10\/20\/teheran-tabou-lundi-1er-fevrier-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" 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