{"id":1760,"date":"2020-07-04T12:09:20","date_gmt":"2020-07-04T10:09:20","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=1760"},"modified":"2025-08-25T21:51:21","modified_gmt":"2025-08-25T19:51:21","slug":"west-beyrouth-samedi-14-nov-21h","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/07\/04\/west-beyrouth-samedi-14-nov-21h\/","title":{"rendered":"\u00ab\u00a0West Beyrouth\u00a0\u00bb Samedi 20 Nov 21h"},"content":{"rendered":"\n<p><strong>Ziad Doueiri (Liban-France 1998), 1h45 avec Rami Doueiri, Mohamad Chamas, Rola Al-Amin, Carmen Lebbos<\/strong><\/p>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><strong>Beyrouth, 13 avril 1975 : premier jour, de la guerre civile libanaise. Les passagers d\u2019un bus palestinien sont massacr\u00e9s par des miliciens devant Tarek et Omar, deux adolescents qui vivent dans les quartiers Ouest de Beyrouth, la partie musulmane de la ville. Les chr\u00e9tiens ma\u00eetrisent Beyrouth Est . Pourtant, Tarek et Omar feignent d\u2019ignorer la trag\u00e9die qui se d\u00e9roule sous leurs yeux, bien d\u00e9cid\u00e9s \u00e0 profiter de leur jeune \u00e2ge pour continuer \u00e0 s\u2019amuser. En compagnie de May, une jeune chr\u00e9tienne, ils vivent cette premi\u00e8re ann\u00e9e de guerre dans l\u2019insouciance, d\u00e9couvrent leurs pulsions naissantes et leur sexualit\u00e9. Mais la guerre est l\u00e0&#8230;.<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>West Beyrouth &#8211; le film largement autobiographique du Libanais Ziad Doueiri, n&rsquo;aidera personne \u00e0 y voir plus clair. C&rsquo;est un film sur la jeunesse, la d\u00e9couverte, la l\u00e9g\u00e8ret\u00e9; pas du tout un documentaire sur les premi\u00e8res heures de la folie meurtri\u00e8re libanaise. Le Beyrouth de 1975 s&rsquo;y d\u00e9voile cependant en toile de fond, derri\u00e8re deux adolescents en vadrouille.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Tarek et Omar, jeunes musulmans de Beyrouth-Ouest, filment tout avec leur cam\u00e9ra Super-8, d\u00e9j\u00e0 d\u00e9mod\u00e9e \u00e0 l&rsquo;\u00e9poque. Ils saisissent des images et tentent de saisir le monde, qui est si compliqu\u00e9, avec le sexe, avec May, la jolie petite chr\u00e9tienne \u00e9chou\u00e9e dans le quartier, avec les parents, d\u00e9prim\u00e9s par le chaos, avec la voisine hyst\u00e9rique, etc. Leurs aventures d\u00e9cousues, entre bombes et snipers, c&rsquo;est tout simplement la vie qui p\u00e9tarade devant la mort.<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong>Et puis il y a Beyrouth, ville mythique, qui a sombr\u00e9 comme le Titanic, avec les lampions de la f\u00eate. On la d\u00e9couvre dans sa \u00abmoiti\u00e9\u00bb musulmane, dans son quotidien, dans sa richesse humaine, dans ses milices d\u00e9lirantes, qui font la loi en d\u00e9faisant les lois, gangs en puissance, gangr\u00e8ne en devenir.<\/strong>Maroun Labaki<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Beaucoup de tendresse dans le regard, et le rendu d&rsquo;une ambiance chaleureuse: malgr\u00e9 la guerre, la vie continue tant bien que mal. On se sent proche des Libanais, francophones, cultiv\u00e9s et, dit-on, Suisses du Proche-Orient, et on souffre devant ce peuple d\u00e9chir\u00e9, alors qu&rsquo;il aurait tout pour vivre heureux. Tourn\u00e9 avec des moyens modestes, WEST BEYROUTH est un film plus que sympathique, avec des accents \u00e0 la LES AMOURS D&rsquo;UNE BLONDE et \u00e0 la MARIUS ET JEANNETTE. <\/strong>Daniel Grivel<\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong>Film de gosses <em>infid\u00e8les<\/em>, aux religions comme aux divisions parcellaires de la ville. Film d&rsquo;une soustraction, donc : la part du r\u00eave est ailleurs, de l&rsquo;autre cot\u00e9 de la ligne. Ce r\u00e9cit autobiographique d&rsquo;un enfant de Beyrouth, devenu plus tard le cameraman de Tarantino, fonctionne, car port\u00e9 par une lumi\u00e8re irr\u00e9ellement libanaise et chaude, un rythme musical (Doueiri a appris une chose de Tarantino : filmer comme des seigneurs des gosses qui marchent dans la rue) et un casting parfait<\/strong>. Inrock<\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Paroles du r\u00e9alisateur<\/strong><\/p>\n\n\n\n<p class=\"has-vivid-red-color has-text-color\">\u00ab<strong>Quand je pense \u00e0 mon adolescence durant la guerre, je me rends compte que les bons souvenirs l&rsquo;ont emport\u00e9 sur les mauvais, . Je n&rsquo;ai pas ressenti cette guerre aussi tragiquement qu&rsquo;on pourrait le penser. Elle m&rsquo;a offert une libert\u00e9 sans limites et permis d&rsquo;explorer tout ce que la vie pouvait m&rsquo;apporter. Malgr\u00e9 l&rsquo;angoisse que je devinais chez mes parents, j&rsquo;\u00e9tais incapable de la ressentir moi-m\u00eame. Ce n&rsquo;est que peu \u00e0 peu que j&rsquo;ai compris que la guerre s&rsquo;associait \u00e0 la mort et \u00e0 la peur.\u00bb<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-medium-font-size\"><strong>Biographie<\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-very-dark-gray-color has-text-color\"><em>N\u00e9 le 7 octobre 1963, Ziad Doueiri grandit pendant la guerre civile. Il quitte le Liban \u00e0 20 ans pour aller \u00e9tudier aux Etats-Uniset travaille \u00e0 Los Angeles comme assistant cam\u00e9ra puis chef op\u00e9rateur pour notamment <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Quentin_Tarantino\">Quentin Tarantino<\/a> dans les <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ann%C3%A9es_1990\">ann\u00e9es 1990<\/a> pour les films <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Jackie_Brown\">Jackie Brown<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Une_nuit_en_enfer\">Une nuit en enfer<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Pulp_Fiction\">Pulp Fiction<\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Reservoir_Dogs\">Reservoir Dogs<\/a>. En 1998 il \u00e9crit et r\u00e9alise son premier long m\u00e9trage, WEST BEYROUTH, mondialement r\u00e9compens\u00e9.<\/em><\/p>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"><em>Jusqu&rsquo;en septembre 2011, il se partage entre <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Los_Angeles\">Los Angeles<\/a> et Beyrouth, puis il retourne travailler \u00e0 Beyrouth. En 2012, sort le long m\u00e9trage <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L%27Attentat_(film,_2012)\">L&rsquo;Attentat<\/a>, adapt\u00e9 du <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L%27Attentat_(roman)\">roman du m\u00eame nom<\/a> de <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Yasmina_Khadra\">Yasmina Khadra<\/a>, dans lequel il dirige les acteurs isra\u00e9liens <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Evgenia_Dodina\">Evgenia Dodina<\/a> ou encore <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ali_Suliman\">Ali Suliman<\/a>. Il exprime son opposition au <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Boycott_d%27Isra%C3%ABl\">boycott d&rsquo;Isra\u00ebl<\/a> et d\u00e9fend sa d\u00e9cision de tourner en Isra\u00ebl un film avec des acteurs isra\u00e9liens.Le 11 septembre 2017, il est remis en libert\u00e9 apr\u00e8s avoir \u00e9t\u00e9 entendu par un tribunal militaire au Liban, en raison d&rsquo;un d\u00e9placement en Isra\u00ebl contrevenant \u00e0 la l\u00e9gislation du pays (tournage du film <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L%27Attentat_(film,_2012)\">L&rsquo;Attentat<\/a> en 2013). En 2017, son 4<sup>e<\/sup> film, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/L%27Insulte\">L&rsquo;Insulte<\/a>, est pr\u00e9sent\u00e9 en s\u00e9lection officielle \u00e0 la <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Mostra_de_Venise_2017\">Mostra de Venise 2017<\/a>. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ziad Doueiri (Liban-France 1998), 1h45 avec Rami Doueiri, Mohamad Chamas, Rola Al-Amin, Carmen Lebbos Beyrouth, 13 avril 1975 : premier jour, de la guerre civile libanaise. Les passagers d\u2019un bus &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1779,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-1760","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnale-2021"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;West Beyrouth&quot; Samedi 20 Nov 21h<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/07\/04\/west-beyrouth-samedi-14-nov-21h\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;West Beyrouth&quot; Samedi 20 Nov 21h\" \/>\n<meta property=\"og:description\" content=\"Ziad Doueiri (Liban-France 1998), 1h45 avec Rami Doueiri, Mohamad Chamas, Rola Al-Amin, Carmen Lebbos Beyrouth, 13 avril 1975 : premier jour, de la guerre civile libanaise. 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