{"id":1684,"date":"2020-06-27T09:38:55","date_gmt":"2020-06-27T07:38:55","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=1684"},"modified":"2025-08-25T21:49:25","modified_gmt":"2025-08-25T19:49:25","slug":"sheherazade-2018-samedi-20-nov-10h","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/27\/sheherazade-2018-samedi-20-nov-10h\/","title":{"rendered":"\u00ab\u00a0Sh\u00e9h\u00e9razade\u00a0\u00bb  Samedi 20 Nov 10h"},"content":{"rendered":"\n<p>de <strong><em>Jean-Bernard Marlin <\/em><\/strong><em>(2018) avec Dylan Robert, Kenza Fortas, Idir Azougli\u2026 France  1 h 49.<\/em><\/p>\n\n\n\n<p class=\"has-very-dark-gray-color has-text-color\"> <strong>Zachary, 17 ans, sort de prison. Rejet\u00e9 par sa m\u00e8re, il tra\u00eene dans les quartiers populaires de Marseille. C\u2019est l\u00e0 qu\u2019il rencontre Sh\u00e9h\u00e9razade&#8230; <\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-vivid-cyan-blue-color has-text-color\"><strong> Avec sensibilit\u00e9 et intelligence, Jean-Bernard Marlin a construit ce  film autour d\u2019une question d\u2019actualit\u00e9 : le respect pour la femme,  quelle qu\u2019elle soit. En plongeant dans un milieu machiste, o\u00f9 le m\u00e9pris  pour les filles de la rue conforte un sentiment de domination, le jeune  cin\u00e9aste s\u00e9duit, d\u2019abord, par sa g\u00e9n\u00e9rosit\u00e9, et impressionne,  finalement, par son courage et sa vigueur critique. Au milieu de ce  qu\u2019on nomme aujourd\u2019hui un peu trop facilement, pour qualifier les  exc\u00e8s, facilit\u00e9s et paresses d\u2019un certain r\u00e9alisme, le cin\u00e9ma  \u00abnaturaliste\u00bb (mot galvaud\u00e9 jusqu\u2019\u00e0 \u00eatre devenu p\u00e9joratif),&nbsp;<em>Sh\u00e9h\u00e9razade<\/em>(laur\u00e9at  du prix Jean-Vigo&nbsp;2018) fait figure de beau contre-exemple, tant il est  tenu de bout en bout avec une justesse et une honn\u00eatet\u00e9  admirables. <\/strong>Marcos Uzal <\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\"><strong> Avec une \u00e9nergie folle et une profonde tendresse pour ses personnages qu&rsquo;il ne jugera jamais, le r\u00e9alisateur tord le cou \u00e0 la tentation du pseudo-r\u00e9alisme documentaire et de l\u2019apitoiement pour raconter une histoire d\u2019amour fou entre deux adolescents propuls\u00e9s dans un monde de violence au c\u0153ur d&rsquo;une cit\u00e9 gangren\u00e9e comme tant d&rsquo;autres par la p\u00e8gre, le ch\u00f4mage et les in\u00e9galit\u00e9s sociales. Cela pourrait \u00eatre glauque, s&rsquo;enfoncer dans la crasse des chambres de passe minables, s&rsquo;enliser dans les r\u00e8glements de compte au ras du trottoir, c&rsquo;est au contraire un film qui avance pas \u00e0 pas vers la lumi\u00e8re, guid\u00e9 par un espoir qui fait jaillir comme par miracle l&rsquo;amour pur du plus vil des terreaux.<br> La grande force du film r\u00e9side dans le refus de faire la distinction entre cin\u00e9ma de genre et cin\u00e9ma de po\u00e9sie, dans la volont\u00e9 de s&rsquo;affranchir des clich\u00e9s du polar \u00e0 la fran\u00e7aise aussi bien que des bonnes mani\u00e8res du cin\u00e9ma d\u2019auteur. Sh\u00e9h\u00e9razade opte pour une stylisation virtuose arrach\u00e9e \u00e0 des conditions tr\u00e8s pr\u00e9caires de tournage, entre ambiances nocturnes sous haute tension et com\u00e9diens non professionnels<\/strong>. Utopia<br><br><\/p>\n\n\n\n<p class=\"has-vivid-cyan-blue-color has-text-color\">L\u2019<strong>enjeu de son r\u00e9cit net, \u00e9pur\u00e9, n\u2019est pas tant le caract\u00e8re in\u00e9luctable du destin d\u2019un enfant des cit\u00e9s que ce qui peut faire d\u00e9vier un individu de la trajectoire qui semblait lui \u00eatre assign\u00e9e. Le grain de sable dans cet engrenage de peur et de violence sera ici l\u2019amour.Mais c\u2019est alors que la question se pr\u00e9cise encore&nbsp;: si un jeune homme peut tomber amoureux d\u2019une femme qu\u2019il ne devait pas aimer (puisque ce n\u2019est \u00ab&nbsp;qu\u2019une pute&nbsp;\u00bb), saura-t-il pour autant (se) l\u2019avouer&nbsp;? La r\u00e9ponse que propose le film est \u00e0 la fois optimiste et \u00e9tonnamment peu romantique. C\u2019est encore une fois une question de langage&nbsp;: entre les raccourcis qui peuplent celui de la rue et la froideur clinique qui fonde celui de la justice, souvent mal ajust\u00e9s au r\u00e9el, les personnages du film auront par moments su trouver une troisi\u00e8me voie, permettant \u00e0 une v\u00e9rit\u00e9 intime de s\u2019exprimer plus justement<\/strong>  Critikat <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" src=\"https:\/\/cineclubbedarieux.fr\/wp-content\/uploads\/2020\/06\/Sh\u00e9h\u00e9razade-Visuel-4bbbbb.jpg\" alt=\"\" class=\"wp-image-1691\"\/><\/figure>\n\n\n\n<p class=\"has-text-align-center\"> <strong>ENTRETIEN AVEC JEAN-BERNARD MARLIN <\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center has-very-dark-gray-color has-text-color\"><strong> Comment \u00eates-vous devenu cin\u00e9aste? <\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap has-very-dark-gray-color has-text-color\"><em> J\u2019ai grandi \u00e0 Marseille dans un milieu modeste. Mon d\u00e9sir de cin\u00e9ma remonte \u00e0 l\u2019enfance, \u00e0 la d\u00e9couverte de E.T. et autres films du m\u00eame genre \u00e0 la t\u00e9l\u00e9vision.  Quand j\u2019avais 16 ans, il y avait un atelier cin\u00e9ma dans une MJC, anim\u00e9 par quelqu\u2019un qui m\u2019a fait d\u00e9couvrir le cin\u00e9ma d\u2019auteur -Puis j\u2019ai pass\u00e9 le concours de l\u2019\u00e9cole Louis Lumi\u00e8re o\u00f9 j\u2019ai \u00e9t\u00e9 admis et form\u00e9 au m\u00e9tier de directeur de la photo. Puis j\u2019ai fait un atelier sc\u00e9nario d\u2019un an et demi \u00e0 la Femis. <\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong> D\u2019o\u00f9 vient l\u2019id\u00e9e de ce film ? <\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap\"><em>Un fait divers, \u00e0 Marseille , un petit prox\u00e9n\u00e8te, de 16 ans, en fugue, est arr\u00eat\u00e9 dans un h\u00f4tel de passe du centre-ville o\u00f9 il vit avec deux filles prostitu\u00e9es de son \u00e2ge. Pendant plusieurs mois, ils vivent de l\u2019argent de la prostitution. On l\u2019accuse de prox\u00e9n\u00e9tisme. Eux, ils vivent une histoire d\u2019amour. C\u2019\u00e9tait assez violent entre eux, il y avait des coups \u00e9chang\u00e9s. Cette histoire, je l\u2019ai rencontr\u00e9e plusieurs fois dans la rue, \u00e0 Marseille. <\/em><\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong> Le casting a d\u00fb \u00eatre une \u00e9tape longue et capitale&#8230; <\/strong><\/p>\n\n\n\n<p class=\"has-drop-cap\"><em>Il a dur\u00e9 pr\u00e8s de huit mois .  On a fait essentiellement du casting sauvage. La directrice de casting, Cendrine Lapuyade, et toute son \u00e9quipe, a cherch\u00e9 dans tous les quartiers de la ville pour d\u00e9nicher les acteurs principaux du film, en passant par les foyers, les sorties de prison. Dylan Robert, le com\u00e9dien principal, est tr\u00e8s proche de Zachary, son personnage. Je l\u2019ai rencontr\u00e9 , juste apr\u00e8s sa sortie de prison de l\u2019\u00c9tablissement p\u00e9nitentiaire pour mineurs de Marseille, le m\u00eame que celui que l\u2019on voit dans le film. Quand il sort de prison au d\u00e9but du film, il \u00ab rejoue \u00bb donc ce qu\u2019il a v\u00e9cu vraiment dans la vraie vie, trois mois auparavant, avec les m\u00eames surveillants de l\u2019administration p\u00e9nitentiaire&#8230; Avec les autres acteurs, j\u2019ai recherch\u00e9 de la m\u00eame fa\u00e7on cette co\u00efncidence entre le r\u00e9el et le sc\u00e9nario du film. Du coup, beaucoup d\u2019acteurs jouaient leur propre r\u00f4le, y compris les avocats et les \u00e9ducateurs que cela amusait beaucoup. La juge est jou\u00e9e par une avocate. <\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>de Jean-Bernard Marlin (2018) avec Dylan Robert, Kenza Fortas, Idir Azougli\u2026 France 1 h 49. Zachary, 17 ans, sort de prison. Rejet\u00e9 par sa m\u00e8re, il tra\u00eene dans les quartiers &#8230;<\/p>\n","protected":false},"author":1,"featured_media":1685,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[24],"tags":[],"class_list":["post-1684","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-automnale-2021"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;Sh\u00e9h\u00e9razade&quot; Samedi 20 Nov 10h<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/27\/sheherazade-2018-samedi-20-nov-10h\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;Sh\u00e9h\u00e9razade&quot; Samedi 20 Nov 10h\" \/>\n<meta property=\"og:description\" content=\"de Jean-Bernard Marlin (2018) avec Dylan Robert, Kenza Fortas, Idir Azougli\u2026 France 1 h 49. 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