{"id":1661,"date":"2020-06-20T14:05:27","date_gmt":"2020-06-20T12:05:27","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=1661"},"modified":"2026-01-11T09:43:05","modified_gmt":"2026-01-11T08:43:05","slug":"jack-lundi-14-decembre-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/20\/jack-lundi-14-decembre-20h30\/","title":{"rendered":"\u00ab\u00a0Jack\u00a0\u00bb lundi 4 octobre 20h30"},"content":{"rendered":"\n

Edward Berger (2015) Allemagne 1h43 avec: Ivo Pietzcker<\/a>, Georg Arms<\/a>, Luise Heyer<\/a> <\/p>\n\n\n\n

Jack, dix ans \u00e0 peine, est d\u00e9j\u00e0 seul responsable de sa famille : son petit fr\u00e8re Manuel, six ans, et leur m\u00e8re c\u00e9libataire aimante, mais totalement immature, Sanna, Mais Jack n\u2019est pas infaillible et un \u00e9v\u00e9nement va venir bouleverser le quotidien de ce trio. ….<\/strong><\/p>\n\n\n\n

Il y a beaucoup de Rosetta chez ce gar\u00e7on press\u00e9 : le m\u00eame \u00add\u00e9sir de faire au mieux, la m\u00eame obstination et le m\u00eame courage. Et beaucoup de Luc et Jean-Pierre Dardenne dans la mise en sc\u00e8ne d’Edward Berger : il filme, souvent de dos, et en plans-\u00ads\u00e9quences, ce gamin qui fonce, obs\u00e9d\u00e9 par la mission qu’il s’est donn\u00e9e : \u00eatre au service de ce petit fr\u00e8re et de cette m\u00e8re \u00e9galement inconscients. Pas question de s’arr\u00eater, de d\u00e9vier. Il charge, il d\u00e9ferle, il trace…<\/strong>Pierre Murat<\/p>\n\n\n\n

\u00ab Jack \u00bb d\u2019Edward Berger ne se contente pas de renouer avec la grande tradition du cin\u00e9ma dans la repr\u00e9sentation des enfants \u2018orphelins\u2019, des \u00ab Contrebandiers de Moonfleet \u00bb de Fritz Lang aux \u00ab Quatre Cents coups \u00bb de Fran\u00e7ois Truffaut en passant par \u00ab L\u2019Enfance nue \u00bb de Maurice Pialat. En filmant \u00e0 sa hauteur, un petit h\u00e9ros des temps modernes, sans p\u00e8re, affubl\u00e9 d\u2019une m\u00e8re-enfant, l\u2019auteur capte un moment de l\u2019histoire de nos soci\u00e9t\u00e9s, happ\u00e9es par le pr\u00e9sent, en panne de transmission. Quels sont les fondements d\u2019une communaut\u00e9 humaine dans laquelle les enfants ne constituent plus le bien le plus pr\u00e9cieux ?  Comment des \u00eatres en devenir, abandonn\u00e9s ainsi \u00e0 eux-m\u00eames, parviennent-ils \u00e0 se construire comme sujets ? Edward Berger, le r\u00e9alisateur, ne r\u00e9pond pas \u00e0 ces questions abyssales mais Jack les pose en nous regardant dans les yeux. Osons soutenir ce regard. <\/strong>caf\u00e9p\u00e9dagogique<\/p>\n\n\n\n

INTERVIEW D\u2019EDWARD BERGER <\/strong><\/p>\n\n\n\n

D\u2019o\u00f9 vous est venue l\u2019id\u00e9e de \u201cJack\u201d? <\/strong><\/p>\n\n\n\n

Il y a quelques ann\u00e9es, je jouais au foot avec mon fils Friedrich un dimanche apr\u00e8s-midi, quand un petit gar\u00e7on longe en courant le terrain avec un gros cartable. \u201cSalut Jack!\u201d mon fils l\u2019interpelle et il lui r\u00e9pond avant de continuer son chemin. Visiblement, ils se connaissaient. \u00c9tonn\u00e9 de voir un gamin porter un sac \u00e0 dos d\u2019\u00e9colier le dimanche, je pose la question \u00e0 mon fils qui m\u2019explique: \u201cle vendredi, il dort chez sa m\u00e8re et le weekend, il retourne dans le foyer\u201d. Le point de d\u00e9part de mon film c\u2019est cette vision fugace. Nous avons toujours l\u2019image assez triste d\u2019un enfant qui ne vivrait pas avec sa famille. Cette rencontre, m\u00eame br\u00e8ve, avec un gar\u00e7on qui semblait conserver une d\u00e9termination et un optimisme m\u2019a ouvert les yeux. C\u2019\u00e9tait impressionnant, il avait confiance en le futur, il croyait \u00e0 la vie et au destin avec une force ind\u00e9niable. Je voulais que les spectateurs qui voient le film s\u2019inspirent de cette \u00e9nergie, qu\u2019ils sortent du cin\u00e9ma avec le sentiment que le gamin qu\u2019ils ont vu \u00e9tait g\u00e9nial. <\/strong><\/p>\n\n\n\n

Comment s\u2019est construit le sc\u00e9nario? <\/strong><\/p>\n\n\n\n

J\u2019ai \u00e9crit le script avec Nele Mueller-St\u00f6fen. Nous avons commenc\u00e9 par d\u00e9finir grossi\u00e8rement les contours de l\u2019histoire avant de nous attaquer aux sc\u00e8nes individuelles et aux dialogues. Notre travail en amont consistait \u00e0 articuler ces sc\u00e8nes dans une structure coh\u00e9rente. Pour les \u00e9crire, nous nous isolions dans une pi\u00e8ce, \u00e0 l\u2019abri du regard de l\u2019autre, qui intervenait ensuite sur le travail effectu\u00e9. Nous devions nous rappeler quelle \u00e9tait l\u2019origine de l\u2019histoire: un r\u00e9cit simple \u00e0 propos de l\u2019amour inconditionnel que peut porter un gar\u00e7on \u00e0 sa m\u00e8re.<\/strong><\/p>\n\n\n\n

\u00c9tait-il important de tourner \u00e0 Berlin?<\/strong><\/p>\n\n\n\n

C\u2019\u00e9tait important de tourner dans l\u2019anonymat d\u2019une grande ville o\u00f9 les gens, notamment les plus jeunes, peuvent se perdre. La m\u00e9tropole, c\u2019est une jungle o\u00f9 tout le monde est occup\u00e9, rendant la pr\u00e9sence d\u2019enfants quasiment invisible. Mais l\u2019action aurait pu se d\u00e9rouler \u00e0 Varsovie, \u00e0 Paris ou \u00e0 New York. Comme l\u2019id\u00e9e a germ\u00e9 sur le pas de ma porte, nous avons \u00e9crit le film avec plusieurs lieux en t\u00eate. Il fallait trouver des \u00e9difices \u00e9pur\u00e9s qui nous permettent de conserver une forme de r\u00e9alisme: quand Jack marche d\u2019un point A \u00e0 un point B, c\u2019est vraiment cette distance qu\u2019il parcourt. Nous ne voulions pas faire des sauts incoh\u00e9rents \u00e0 travers Berlin. Votre film est-il un drame social? Non, car il aurait condamn\u00e9 la m\u00e8re. Nous voulions une histoire qui s\u2019adresse au plus grand nombre sans stigmatiser certains personnages. Cette m\u00e8re aime ses enfants, mais elle est trop jeune pour en avoir la responsabilit\u00e9. Ce n\u2019est pas une alcoolique ou une actrice pornographique. C\u2019est une jeune femme qui habite \u00e0 Wansse, travaille chez Cookie et 02 World. Elle est rock n\u2019roll. C\u2019est pour \u00e7a aussi que nous ne voulions pas situer le r\u00e9cit en p\u00e9riph\u00e9rie de la ville, dans de gigantesques lotissements. Nous voulions \u00eatre au c\u0153ur de la soci\u00e9t\u00e9, pas \u00e0 la marge. <\/strong><\/p>\n\n\n\n

Pourquoi avoir choisi cet aspect visuel si particulier? <\/strong><\/p>\n\n\n\n

Avec le directeur de la photographie, Jens Harant, nous avons discut\u00e9 du projet bien avant le tournage. Nous avions d\u00e9j\u00e0 bien r\u00e9fl\u00e9chi \u00e0 la mani\u00e8re dont nous allions retranscrire le r\u00e9cit en images. Le concept \u00e9tait le suivant: raconter cette histoire du point de vue des observateurs, sans montage ni manipulation. Nous voulions rester le plus pr\u00e8s possible du gar\u00e7on et filmer parfois \u00e0 sa hauteur. Pas de personnages ou d\u2019intrigues secondaires, pas de travelling qui nous en auraient d\u00e9tourn\u00e9. Nous avons v\u00e9rifi\u00e9 que chaque sc\u00e8ne puisse exprimer son potentiel sans ces artifices, et avons r\u00e9\u00e9crit le script jusqu\u2019\u00e0 ce qu\u2019il soit compatible avec notre concept du film. Nous voulions que les spectateurs aient une exp\u00e9rience \u00e9motionnelle forte avec \u201cJack\u201d <\/strong><\/p>\n\n\n\n

Edward Berger<\/em><\/p>\n\n\n\n

Apr\u00e8s des \u00e9tudes de cin\u00e9ma \u00e0 l\u2019Universit\u00e9 de New York jusqu\u2019en 1994. Edward Berger travaille sur des tournages d\u2019Ang Lee ou de Todd Haynes. Install\u00e9 \u00e0 Berlin depuis 1997, il r\u00e9alise son premier film Gomez, adaptation d\u2019un livre qu\u2019il a lui-m\u00eame \u00e9crit. Edward Berger a aussi r\u00e9alis\u00e9 plusieurs \u00e9pisodes de s\u00e9ries . En 2012, son t\u00e9l\u00e9film A Good Summer est r\u00e9compens\u00e9. Il travaille depuis plusieurs ann\u00e9es avec Nele Mueller-St\u00f6fen comme co sc\u00e9nariste<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Edward Berger (2015) Allemagne 1h43 avec: Ivo Pietzcker, Georg Arms, Luise Heyer Jack, dix ans \u00e0 peine, est d\u00e9j\u00e0 seul responsable de sa famille : son petit fr\u00e8re Manuel, six ans, et …<\/p>\n","protected":false},"author":1,"featured_media":1790,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[28],"tags":[],"class_list":["post-1661","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2021-2022"],"yoast_head":"\n"Jack" lundi 4 octobre 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/20\/jack-lundi-14-decembre-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Jack" 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