{"id":1649,"date":"2020-06-20T09:53:55","date_gmt":"2020-06-20T07:53:55","guid":{"rendered":"http:\/\/cineclubbedarieux.fr\/?p=1649"},"modified":"2025-08-25T17:45:37","modified_gmt":"2025-08-25T15:45:37","slug":"le-poirier-sauvage-lundi-23-novembre-20h30","status":"publish","type":"post","link":"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/20\/le-poirier-sauvage-lundi-23-novembre-20h30\/","title":{"rendered":"\u00ab\u00a0Le Poirier sauvage\u00a0\u00bb Lundi 1er mars 20h30"},"content":{"rendered":"\n

Nuri Bilge Ceylan<\/strong> (2018) Turquie 3h08 avec Aydin Dogu Demirkol, Murat Cemcir, Bennu Yildirimlar, Hazar Erg\u00fccl\u00fc<\/strong> <\/p>\n\n\n\n

Passionn\u00e9 de litt\u00e9rature, Sinan a toujours voulu \u00eatre \u00e9crivain. De retour dans son village natal d\u2019Anatolie, il met toute son \u00e9nergie \u00e0 trouver l\u2019argent n\u00e9cessaire pour \u00eatre publi\u00e9, mais les dettes de son p\u00e8re finissent par le rattraper\u2026<\/strong> <\/p>\n\n\n\n

Par sa ma\u00eetrise, son lyrisme, son audace tranquille (on songe au discours contradictoire des imams zigzaguant sur un chemin escarp\u00e9). Voir un cin\u00e9aste, au sommet de son art, construire ainsi, de film en film, une \u0153uvre que l\u2019on sait, d\u00e9sormais, importante, donne le frisson. <\/strong>T\u00e9l\u00e9rama<\/p>\n\n\n\n

Ces silhouettes qui se croisent, s\u2019expliquent et s\u2019affrontent dessinent, peu \u00e0 peu, le projet de Nuri Bilge Ceylan, encore plus ambitieux que celui de Winter Sleep,<\/em> pourtant si r\u00e9ussi : capter comme Anton Tchekhov savait le faire \u2014 en douce et en douceur \u2014 le mal-\u00eatre d\u2019un pays, peut-\u00eatre m\u00eame d\u2019une soci\u00e9t\u00e9. Au t\u00e9l\u00e9phone, Sinan parle avec un copain, devenu flic anti-\u00e9meutes, qui apaise son stress en tapant comme un forcen\u00e9 sur les rares manifestants osant s\u2019opposer \u00e0 l\u2019autorit\u00e9. Quelques brefs instants, o\u00f9 le temps semble se suspendre, il rencontre, sur un chemin embras\u00e9 de lumi\u00e8re, la fille merveilleuse qui osait tout affronter, autrefois, et qui a rendu les armes : pr\u00eate \u00e0 \u00e9pouser, pas m\u00eame le semi-vaurien qu\u2019elle aimait, mais un vieux qui la rendra riche et malheureuse. \u00ab La vie semblait \u00e0 notre port\u00e9e. Elle est si loin de nous, d\u00e9sormais \u00bb, <\/em>dit-elle avant de dispara\u00eetre \u00e0 jamais <\/strong>Pierre Murat<\/p>\n\n\n\n

Interview du r\u00e9alisateur<\/strong><\/p>\n\n\n\n

Mais\nles tr\u00e8s longs plans-s\u00e9quences, vous les aviez pr\u00e9vus d\u00e8s le d\u00e9but ?<\/strong><\/h5>\n\n\n\n

Non, au d\u00e9part, je ne prends\naucune d\u00e9cision. J\u2019utilise beaucoup d\u2019alternatives pour pouvoir d\u00e9cider au\nmontage. Car \u00e0 ce stade, vous \u00eates condamn\u00e9 aux images que vous avez en mains,\nvous ne pouvez pas, comme un romancier, changer un mot et en ins\u00e9rer un\nnouveau.<\/p>\n\n\n\n

Les\ndialogues sont en revanche tr\u00e8s \u00e9crits\u2026<\/strong><\/h5>\n\n\n\n

Oui, tout est \u00e9crit \u00e0 l\u2019avance.\nUne toute petite part est laiss\u00e9e \u00e0 l\u2019improvisation. Cela a influenc\u00e9 le\ncasting. J\u2019ai essay\u00e9 de ne retenir que ceux qui \u00e9taient capables d\u2019apprendre\npar c\u0153ur des pans de dialogue \u00e9normes, mais aussi de les int\u00e9rioriser, pour ne\npas donner l\u2019impression de les r\u00e9citer.<\/p>\n\n\n\n

Des\nprofessionnels ou des amateurs ?<\/strong><\/h5>\n\n\n\n

Fifty-fifty. <\/em>Le r\u00f4le principal n\u2019est pas un\nprofessionnel, il ne vient pas du th\u00e9\u00e2tre mais du stand-up, c\u2019est son premier\nfilm. On le voit dans chacune des sc\u00e8nes, et lors du casting, c\u2019est le seul \u00e0\nm\u2019avoir donn\u00e9 l\u2019impression qu\u2019il pouvait relever ce d\u00e9fi. Il ne ressemblait pas\n\u00e0 ce que j\u2019envisageais, je voulais quelqu\u2019un de plus maigre\u2026 Mais j\u2019ai vu qu\u2019il\n\u00e9tait capable de soulever cette charge. Le jeune imam est un amateur aussi\n: c\u2019est Akin, mon cosc\u00e9nariste.<\/p>\n\n\n\n

Le\nfilm est un drame, mais souvent tr\u00e8s dr\u00f4le dans sa mani\u00e8re de regarder son\nh\u00e9ros\u2026<\/strong><\/h5>\n\n\n\n

Oui. A l\u2019\u00e2ge que j\u2019ai, il\nm\u2019arrive d\u00e9sormais de trouver comiques \u00e9norm\u00e9ment de situations. Dans le film,\nje crois que ces situations naissent du fait qu\u2019un jeune, pour pouvoir exister,\nessaie d\u2019ext\u00e9rioriser, d\u2019une mani\u00e8re un peu amateure, tout ce qu\u2019il a en lui.\nC\u2019est \u00e9galement ce que j\u2019ai v\u00e9cu moi-m\u00eame \u00e9tant jeune, enfin jusqu\u2019\u00e0 un certain\npoint. Les relations humaines sont \u00e0 la base comme \u00e7a : pour gagner la lutte,\nl\u2019homme d\u00e9verse tout ce qu\u2019il a en lui.<\/p>\n\n\n\n

Vous\navez grandi dans cette r\u00e9gion, non loin de Troie, et l\u2019on voit dans le film une\nr\u00e9plique du cheval de bois. Quelle r\u00e9sonance a ce site pour vous ?<\/strong><\/h5>\n\n\n\n

Pour les habitants de la r\u00e9gion, lorsque j\u2019\u00e9tais enfant, Troie\nn\u2019\u00e9tait pas un sujet. Mais pour moi si, car mon p\u00e8re \u00e9tait un passionn\u00e9\nd\u2019histoire et nous emmenait souvent sur le site. Ce qui m\u2019a marqu\u00e9, c\u2019est\nsurtout ce qu\u2019en a racont\u00e9 Heinrich Schliemann [arch\u00e9ologue\nallemand amateur, d\u00e9couvreur des sites de Troie et de Myc\u00e8nes, ndlr]<\/em> dans\nses livres. Mon p\u00e8re \u00e9tait capable de raconter cette chronique comme si c\u2019\u00e9tait\nun conte\u2026<\/p>\n\n\n\n

Nuri Bilge Ceylan <\/strong><\/em><\/p>\n\n\n\n

Ing\u00e9nieur \u00e9lectricien de formation, il n’a jamais exerc\u00e9 ce m\u00e9tier. M\u00fb par une passion pour la photographie,Ceylan a tr\u00e8s vite bifurqu\u00e9 vers le cin\u00e9ma. Ceylan se forge une culture cin\u00e9philique solide et exigeante en fr\u00e9quentant assid\u00fbment les cin\u00e9-clubs. \u00ab\u00a0Ozu, Bresson, Tarkovski et Antonioni ont \u00e9t\u00e9 mes compagnons de route.\u00a0\u00bb Devenu photographe professionnel, il travaille une quinzaine d’ann\u00e9es pour la publicit\u00e9 – <\/em> <\/p>\n\n\n\n

Si l’\u00e9closion de son \u0153uvre appara\u00eet tardive, elle t\u00e9moigne cependant d’une maturit\u00e9 th\u00e9matique et esth\u00e9tique profonde. En artisan patient et obstin\u00e9, Nuri Bilge Ceylan creuse le m\u00eame sillon depuis Koza, son premier court m\u00e9trage, en 1995, jusqu’\u00e0 parvenir \u00e0 l’\u00e9pure de son art. Empreint d’une sensibilit\u00e9 m\u00e9lancolique et po\u00e9tique, il d\u00e9peint un univers tr\u00e8s personnel marqu\u00e9 par une qu\u00eate permanente de la \u00ab\u00a0destin\u00e9e humaine\u00a0\u00bb. Sa trilogie – Le Kasaba, Nuages de mai, qui porte la marque du ma\u00eetre iranien Abbas Kiarostami, et Uzak, d\u00e9roule un cycle des saisons propice \u00e0 saisir l’indicible des relations humaines.<\/em><\/p>\n\n\n\n

La m\u00e9thode Ceylan s’apparente \u00e0 un artisanat familial. Une \u00e9quipe technique r\u00e9duite au strict minimum – deux techniciens pour Kasaba, cinq pour Uzak.Un budget serr\u00e9. Un d\u00e9coupage tr\u00e8s construit, mais mall\u00e9able aux \u00e9l\u00e9ments impr\u00e9vus, telle la temp\u00eate de neige qui s’abat sur Istanbul durant le tournage. \u00ab\u00a0Viendront ensuite : Les Climats<\/a>2008<\/a> : Les Trois Singes<\/a>2011<\/a> : Il \u00e9tait une fois en Anatolie<\/a>2014<\/a> : Winter Sleep<\/a> Palme d’or \u00e0 Cannes en 2014<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Nuri Bilge Ceylan (2018) Turquie 3h08 avec Aydin Dogu Demirkol, Murat Cemcir, Bennu Yildirimlar, Hazar Erg\u00fccl\u00fc Passionn\u00e9 de litt\u00e9rature, Sinan a toujours voulu \u00eatre \u00e9crivain. De retour dans son village …<\/p>\n","protected":false},"author":1,"featured_media":1658,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22],"tags":[],"class_list":["post-1649","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-programme-2020-2021"],"yoast_head":"\n"Le Poirier sauvage" Lundi 1er mars 20h30<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/cineclubbedarieux.fr\/index.php\/2020\/06\/20\/le-poirier-sauvage-lundi-23-novembre-20h30\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\""Le Poirier sauvage" Lundi 1er mars 20h30\" \/>\n<meta property=\"og:description\" content=\"Nuri Bilge Ceylan (2018) Turquie 3h08 avec Aydin Dogu Demirkol, Murat Cemcir, Bennu Yildirimlar, Hazar Erg\u00fccl\u00fc Passionn\u00e9 de litt\u00e9rature, Sinan a toujours voulu \u00eatre \u00e9crivain. 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